The only problems I sometimes have is if I ask for a piece for a group show, if I ask for a piece - I would like to put it into a show, sometimes the collectors get possessive about it and don't want to let something happen. Say you get full credit, you know. You give them your name, the catalog and it always enhances the value of the piece, you know, the more shows it is in, blah, blah, blah.
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
All men hear is blah, blah, blah, blah, SEX, blah, blah, blah, FOOD, blah, blah, blah, BEER.
MacPherson told me that my theorem can be viewed as blah blah blah Grothendieck blah blah blah, which makes it much more respectable.
Often, when I later listened to the tapes of the interview I would hear that I would rush in to break the silence. The worst is when you ask a question and don't let them answer by saying, "Of course, it's probably because of blah, blah, blah." And you go on and on and then they say, "Yes." So you don't get a quote from them.
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
I was getting tired of hearing the complaint, "My kid could do this," and "We don't get it. What's modern art? Blah, blah, blah." And I wondered what would really happen if you gave people what they wanted, something they always look at.
A very sad moment for me was when my parents separated - a lot of crying, 'It's tragic, we're now a broken family, blah blah blah blah blah' - although my psychological problems stopped. I actually felt healthier.
I want to make a drug. I want the science to be more than imaginary, where I think, 'We're learning these fundamental principles, blah, blah, blah, blah, blah.' I think we are doing that, but I want to do something really practical. I want to actually, in my lifetime, help people.
Producers are looking to me to concept full worlds for subjects to compete, play a game show in, win an award, blah blah blah.
I like to go play shows just to see people, so I'm not in the game of like, "You're at my show, you're gonna listen to it like this, blah blah blah."
I remember when in the early days of rock'n'roll, when everything sounded totally different, all amazing and blah blah blah blah blah. Now you can play me one second of any record from that time, and I'll say "1959" or "1961." I can hear precisely. It's like it has a huge date stamp on it.
whenever they get a chance, never fear, people make you waste hours and months ... they use you as a wall to bounce their bullshit off of ... blah! and blah! and blahblahblah! ... you put up with it for an hour, you'll need two weeks to recover ... blah! blah!
When you are in a team sometimes you hear 'Blah, blah, blah' complaining all the time about small things.
My whole freshman year at Duke, it was drilled into me that nothing was given to you, and you have to earn it, and this is a dog-eat-dog world, and blah blah blah, and blah blah blah. And you buy into it, 100 percent. You end up loving it. That's the way it should be, right?