A Quote by Robert Ben Garant
A lot of times when you're trying to do improv, everybody's doing a different style.
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I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
I know now for a fact that improv can't hold a candle to doing standup. It's not the same buzz, it just isn't. It feels infantile to me at times. When you see guys who do it really well, great. But improv needs a rewrite.
I think style is being so comfortable and confident in what you're wearing. That's what style is, 'cause everybody's got different style.
Everybody wants you to do this thing that you've always been doing forever. That's what they want: they want Martin Scorsese to make the same film two hundred times rather than trying to be something different.
I think when a lot of actors hear improv, they think of throwing a line in or doing a slightly different take.
Life goes by really fast, and it seems that there are times when you're burying a lot of friends and family. And then there are times that feel really precious and everybody is doing okay. This is one of those times.
I’m interested in so many different things and I’d like to cover a lot of territory. I’m trying to see my show as the Sunday Times. You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review...even the Style section has those wonderful essays about relationships.
I'm interested in so many different things and I'd like to cover a lot of territory. I'm trying to see my show as the Sunday 'Times.' You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review... even the Style section has those wonderful essays about relationships.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
Improv is like writing. It's actually a different discipline to acting. It helps acting greatly, but it's completely different. It's the same side of your brain when you write as when you improv.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
Doing improv regularly forces you to be better almost without trying.
When you're doing improv for seven years, you're an old soul of the improv world.
California lacks a lot of the rules and restrictions the East has. Every house is a different style, different material, different color. There's a lot of craziness out there
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