A Quote by Robert Ben Garant
Movies are very, very good to me; What do I need TV for?
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I thought I'd be on TV and movies - that's what I really wanted - and I can't believe I didn't need to do that. I did it on my own with just me and my camera. That's very, very weird.
I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.
Some people would say you need what you need to work, but I need very little to work, because I learned how to make movies on tiny movies. It's all kind of easy for me.
I sort of have open invitations from a lot of people to do TV. But it's very hard for me to do roles in sitcoms and movies because I'm not a great actor, so if the material isn't good, I'm in torment while I do it.
In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.
I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
I need very little to work, because I learned how to make movies on tiny movies. It's all kind of easy for me.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
It's very enigmatic because of course, the population [of North Korea] has no contact with the world outside or it's very, very limited. They don't have any telephone connections, no radio, no TV, no movies, no newspapers - nothing from the outside world. This is very strange and there's the very strict, unifying government that forces you to be in step. You see it in the stadium where the spectators create, by flipping cards, an image of the dear leader, or of the volcano, and it's made of a 100,000 human pictures.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
I loved movies. They inspired me more than anything growing up and wanted to do for others what those movies have done for me. I do a lot of other creative stuff but am not very good at it.
I think more money can be very detrimental to movies and TV because things get solved economically rather than creatively, and that's never a good solution.
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