A Quote by Robert Ben Garant
Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'
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why can't you see i'm a kid', said the kid. Why try to make me like you? Why are you hurt when I don't cuddle? Why do you sigh when I splash through a puddle? Why do you scream when I do what I did? Im a kid.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
I remember this one time I had a dream about me writing a screenplay, and when I woke up, you know those dreams that feel so real, but I woke up and I was like, 'Oh my god I have this amazing screenplay I need to write down as soon as I wake up' and then I woke up and I was like what the heck was I dreaming of?
I did improv classes just like any kid would do soccer or gymnastics or swimming. At one of my showcases, my manager came to my mom and said, 'We would like to represent your daughter.' My mom asked me that night if I would like to actually act, and I said, 'Why not? I'll give it a try!'
I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’
And when Jace was ten years old, Valentine killed him. Michael, I mean." "That sounds like something he would do," said Luke. His tone was neutral, but there was something in his voice that made Clary look at him sideways. Did he not believe her? "Jace saw him die, " she added, as if to bolster her claim. "That's awful," said Luke. "Poor messed-up kid.
It was more important to me to understand what its like to be this Jewish kid who felt he was so different at such a young age. I feel the story is about a kid who came to hate through love, so I felt I had to learn why he loved this thing so much that he also apparently hated it.
Yeah, D-Wade called me up last night and said that he saw some film of me in high school and thinks that my form then was better and that I should shoot like that. I told him I'd think about it and then my pops called and said something like that so I decided to revert back and then.
I couldn't have accomplished the things in my career if I didn't practice, and the worst part about that whole thing is when a kid comes up to me and says 'Allen, I don't like practice, either.' I've got to straighten that kid right then.
I wasn't a kid when I came out. Soulja Boy was 16. I'm saying that when he came out he was a kid so it was naturally a show for him. It's not about the music right away. It's a show for him. Not that he's not putting enough effort into his music, but how much effort can a 16 year old put into his music because as you mature and get older even the songs he's doing now has evolved and he's looking back.
I remember once, we got an interview, and he said, 'Dad, these people are writing about me like I'm an adult. Don't they know I'm a kid?' I have never tried to encourage him to get a music image like other musicians have.
I'm scared of him," said Piggy, "and that's why I know him. If you're scared of someone you hate him but you can't stop thinking about him. You kid yourself he's all right really, an' then when you see him again; it's like asthma an' you can't breathe.
The way I write my songs is that I have to believe what I'm writing about, and that's why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, 'Oh my God, this song is totally about me.'
The way I write my songs is that I have to believe what I’m writing about, and that’s why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, “Oh my God, this song is totally about me.”
From the night Buddy Willard kissed me and said I must go out with a lot of boys, he made me feel I was much more sexy and experienced than he was and that everything he did like hugging and kissing and petting was simply what I made him feel like doing out of the blue, he couldn’t help it and didn’t know how it came about. Now I saw he had only been pretending all this time to be so innocent.
I was a kid in the third grade ... saw a dummy in the toy store. In the '60s and '70s there were a lot of those vinyl ventriloquism dummies - just about every toy store had one. Everyone close to my age that I've talked to, especially guys for some reason, tell me that they had one too, but they said they never could do it. So many people come up to me and say that. It was just something that I thought was cool. I started doing book reports with it - I developed the skill. I easily got A's on all my reports. It was just something that a little kid grasped on to - so I stuck with it.
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