A Quote by Robert Beverly Hale

An artist sees things not as they are, but as he is. — © Robert Beverly Hale
An artist sees things not as they are, but as he is.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
As for the outside world, the artist is confronted by what he sees; but what he sees is primarily what he looks at.
The artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.
Melancholy sees the worst of things, things as they may be, and not as they are. It looks upon a beautiful face, and sees but a grinning skull.
The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.
An artist sees that which does not yet exist. He or she imagines a future others cannot perceive. The artist - and the writer - reshapes reality so that it becomes even more vivid and lasting.
A wife, a lover, can perhaps never see what the artist sees. They rarely ever do. Perhaps a really mediocre artist has more chance of success.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
The eye sees the physical body, other individuals, even insects, worms and things. It sees everything that is within its range. The body too is a thing that the eye sees, along with the rest. So, how can we conclude that the body is the I?
The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.
The stakeholder approach to business sees integration rather than separation, and sees how things fit together.
But pure wit is akin to Puritanism; to the perfect and painful consciousness of the final fact in the universe. Very briefly, the man who sees the consistency in things is a wit - and a Calvinist. The man who sees the inconsistency in things is a humorist - and a Catholic.
He who sees the Infinite in all things sees God.
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.
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