A Quote by Robert Beverly Hale

First you draw what you see. Next, you draw what you know, and only then will you know what it is that you see. — © Robert Beverly Hale
First you draw what you see. Next, you draw what you know, and only then will you know what it is that you see.
First we draw what we see; then we draw what we know; finally we see what we know.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
I read somewhere that Rubens said students should not draw from life, but draw from all the great classic casts. Then you really get the measure of them, you really know what to do. And then, put in your own dimples. Isn't that marvelous!
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
I rarely draw what I see. I draw what I feel in my body.
Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
When we mean to build, We first survey the plot, then draw the model; And when we see the figure of the house, Then must we rate the cost of the erection.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
Swiss cheese is the only cheese you can draw and people can identify. You can draw American cheese, but someone will think it's cheddar. It's the only cheese you can bite and miss. "Hey Mitch - does that sandwich have cheese on it?" "Every now and then!"
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