A Quote by Robert Blair

Action, so to speak, is the genius of nature. — © Robert Blair
Action, so to speak, is the genius of nature.
Self-love is a principle of action; but among no class of human beings has nature so profusely distributed this principle of life and action as through the whole sensitive family of genius.
The man whose action habitually bears the stamp of his mind is a genius, but the greatest genius is not always equal to himself, or he would cease to be human.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
No, I don't admire the genius. But I admire and love the result of the genius's activity in the world, of which the great man is only the poor necessary tool, only, so to speak, the paltry awl to bore with.
Among the great men who have philosophized about [the action of the tides], the one who surprised me most is Kepler. He was a person of independent genius, [but he] became interested in the action of the moon on the water, and in other occult phenomena, and similar childishness.
To copy Nature? A boy with a camera can do that. To get the spirit of Nature? A woodman or a shepherd can follow the trail of the whistling wind to hoarded sunshine in distant wolds. But to interpret Nature and inform it with a human personality that rises above it, invokes the divine in it, is the work of genius.
Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.
The Red Cross in its nature, it aims and purposes, and consequently, its methods, is unlike any other organization in the country.It is an organization of physical action, of instantaneous action, at the spur of the moment; it cannot await the ordinary deliberation of organized bodies if it would be of use to suffering humanity,[ellipsis in original] it has by its nature a field of its own.
The psychical condition of men's minds may be compared with a set of bells close together, and so arranged that in the ordinary man a bell rings only when one beside it sounds, and the vibration lasts only a moment. In the genius, when a bell sounds it vibrates so strongly that it sets in action the whole series, and remains in action throughout life. The latter kind of movement often gives rise to extraordinary conditions and absurd impulses, that may last for weeks together and that form the basis of the supposed kinship of genius with insanity.
Genius is its own reward; for the best that one is, one must necessarily be for oneself. . . . Further, genius consists in the working of the free intellect., and as a consequence the productions of genius serve no useful purpose. The work of genius may be music, philosophy, painting, or poetry; it is nothing for use or profit. To be useless and unprofitable is one of the characteristics of genius; it is their patent of nobility.
An action is the perfection and publication of thought. A right action seems to fill the eye, and to be related to all nature.
Very few men can speak of Nature, for instance, with any truth. They overstep her modesty, somehow or other, and confer no favor.They do not speak a good word for her. Most cry better than they speak, and you can get more nature out of them by pinching than by addressing them. The surliness with which the woodchopper speaks of his woods, handling them as indifferently as his axe, is better than the mealy-mouthed enthusiasm of the lover of nature. Better that the primrose by the river's brim be a yellow primrose, and nothing more, than that it be something less.
In nature the most violent passions are silent; in tragedy they must speak and speak with dignity too.
Oh, I'm not a true genius. I'm a near genius. I would say I'm a short genius. I'd rather be tall and normal than a short genius.
How full of the creative genius is the air in which these [snowflakes] are generated! I should hardly admire them more if real stars fell and lodged on my coat. Nature is full of genius. Full of the divinity. So that not a snowflake escapes its fashioning hand.
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