A Quote by Robert Bly

Adulthood has something to do with not choosing any of the pure points of view, but living about half of what you really want to live. — © Robert Bly
Adulthood has something to do with not choosing any of the pure points of view, but living about half of what you really want to live.
We live in a global community and we can't really remain isolated. I believe that when we hold a very narrow view about our attitudes of politics or culture or religion, then we cut out the opportunity to really engage with other points of view.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
Though liberals do a great deal of talking about hearing other points of view, it sometimes shocks them to learn that there are other points of view.
There's something hypocritical about a city that keeps half of its population underground half of the time; you can start believing that there's much more space than there really is-to live, to work.
Living out one's faith is either no way to live or the only way to live; it's either imprisonment, or the only path to freedom. It offers happiness, or it frustrates the pursuit. There is no half-love, half-religion, half-worship, half-belief, half-truth. There is no kinda-sorta.
So I wanted to explore all points of view of that, not just the girl's but his point of view as well. Only by directing it could I explore all the points of view.
Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
What he has in addition is pure empathy and projection,” Dr. Bloom said. “He can assume your point of view, or mine – and maybe some other points of view that scare and sicken him. It’s an uncomfortable gift, Jack. Perception’s a tool that’s pointed on both ends.
It is you who are choosing, in any moment, to be happy or choosing to be sad, or choosing to be angry, or forgiving, or enlightened, or whatever. You are choosing.
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
By the time I got to school, I had already read a couple hundred books. I knew in the first grade that they were lying to me because I had already been exposed to other points of view. School is basically about one point of view -- the one the teacher has or the textbooks have. They don't like the idea of having different points of view, so it was a battle. Of course I would pipe up with my five-year-old voice.
How could you go about choosing something that would hold the half of your heart you had to bury?
What I'm getting at is, you know, if we really want to get serious about helping all the people living in the street and getting people jobs, we could just hire half the people in the country to spy on the other half.
My view is that, if any public official or member of any campaign is contacted by any nation-state or anybody acting on behalf of a nation-state about influencing or interfering with our election, then that is something that the FBI would want to know about.
Everything I have is ready to wear, but I have the ability to have different options within the same brand. I have the Theyskens' Theory collection where it's a personal approach to how I build the collection where I fuse more fashion-y ideas and it has my name on it. So it's really something very research- and labor-intensive. And then I have the Theory brand where I infuse all points of view about fashion at large, and it's more global. It's really about making something succeed. You have an instant relationship with stores, and with sales teams, and people that are in the place.
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