A Quote by Robert Bly
The lead either forges an instant connection with the reader, or the package fails.
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I have to say, Alejandro Colucci is amazing. I had seen his work several times before I started making the connection between the art and the person making it, and when I heard that he was going to work on the cover for 'Seven Forges,' that connection was not yet cemented.
There sure are a lot of these 'instant' products on the market. Instant coffee, instant tea, instant pudding, instant cereal... instant dislike.
However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
There is no necessary connection between the desire to lead and the ability to lead, and even less the ability to lead somewhere that will be to the advantage of the led.
You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.
The last thing I want is that sense of artifice - rather I want the reader drawn into the story and lost in it and vested in it. So the emotional connection is everything, albeit a connection on my terms.
What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.
Love as a concrete foundation for an authentically functional civilization requires the around-the-clock labors of forgiveness. Without it, Love fails, Friendship fails, Intelligence fails, Humanity: fails.
For the record, pot, like the Reader's Digest , is not necessarily habit-forming, but both can lead to hard-core addiction : heroin, in one case, abridged bad books, in the other. Either way you look at it, a withdrawal from a meaningful life.
I'm a miracle man, things happen which I don't plan, I've never planned anything. Whatsoever I do, I want it to be an instant action object, instant reaction subject. Instant input, instant output.
I try to say one thing with my work: A book is a wonderful place to be. A book is a package, a gift package, a surprise package-and within the wrappings is a whole new world and beyond.
I'm the type of guy who fails and fails and fails, and then, as if failure has become sick of him, succeeds.
We have instant pudding, instant photos, instant coffee—but there are no instant adults.
You can't make somebody care about what you're doing. Either they get it, either there's that connection - or they don't.
Generally we are occupied either with the miseries which now we feel, or with those which threaten; and even when we see ourselves sufficiently secure from the approach of either, still fretfulness, though unwarranted by either present or expected affliction, fails not to spring up from the deep recesses of the heart, where its roots naturally grow, and to fill the soul with its poison.
The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.
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