A Quote by Robert Bolt
Morality's not practical. Morality's a gesture. A complicated gesture learnt from books.
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Every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture.
For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
The hypothesis I wish to advance is thatthe language of morality is ingrave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have--very largely if not entirely--lost our comprehension, both theoretical and practical, of morality.
How can you construct a morality if there's no morality inherent in the way things are? You might be able to delude yourself into thinking you had 'created' a morality, but that's all it would be, an illusion.
Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
Each implementation of human effort, however minute the overall result may be, is summed up in the gesture of the sower - sometimes an awe-inspiring gesture.
To justify Christian morality because it provides a foundation of morality, instead of showing the necessity of Christian morality from the truth of Christianity, is a very dangerous inversion.
If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.
The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
The gesture must be correct. If the gesture is correct, your mind really creates the reality of the figure, and it is not necessary to hang on all the rest [of the details].
There are those who believe that a new modernity demands a new morality. What they fail to consider is the harsh reality that there is no such thing as a new morality. There is only one morality . All else is immorality.
We're always projecting our moral categories on things. I think that's inevitable. But capitalism places no particular value on morality. Morality in the market is enforced by contract and regulation and law, because morality is understood to be in conflict with the motive force of greed and accumulation.
You should draw not what the thing looks like, not even what it is, but what it is doing... Gesture has no precise edges, no forms. The forms are in the act of changing. Gesture is movement in space.
One of the great tragedies of mankind is that morality has been hijacked by religion. So now people assume that religion and morality have a necessary connection. But the basis of morality is really very simple and doesn't require religion at all.
Talking about morality can be offensive. Morality is a politically incorrect subject. Many people are genuinely offended if someone speaks of morality and family values. It is okay if you talk about your sexual fantasies and deviances. This is called "liberation". But you would be frowned at if you talk about morality in public. Then you'd be accused of trying to impose your values on others.
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