A Quote by Robert Boswell

Characters are often revealed by the ways they misapprehend others. — © Robert Boswell
Characters are often revealed by the ways they misapprehend others.
Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.
I feel that we should try and understand how we as women storytellers have often fallen into the mode of telling stories in the ways in which traditionally men would. I often find that my points of view are expressed by male characters.
Do you often feel like parched ground, unable to produce anything worthwhile? I do. When I am in need of refreshment, it isn't easy to think of the needs of others. But I have found that if, instead of praying for my own comfort and satisfaction, I ask the Lord to enable me to give to others, an amazing thing often happens - I find my own needs wonderfully met. Refreshment comes in ways I would never have thought of, both for others, and then, incidentally, for myself.
All of us, all of us, all of us trying to save our immortal souls, some ways seemingly more round about and mysterious than others. We are having a good time here. But hope all will be revealed soon.
I think that I write much more naturally about characters in solitude than characters interacting with others. My natural inclination - and one that I've learned to push against - is to give primacy to a character's interior world. Over the three books that I've written, I've had to teach myself that not every feeling needs to be described and that often the most impactful writing more elegantly evokes those unnamed feelings through the way characters speak and behave.
When we desire to be a blessing, we find that there are many ways in which we can bless others. We can give material goods to others, and we can also offer them the benefit of our experience. People who have faced and overcome challenges with alcohol and drugs often involve themselves in helping others who are experiencing similar difficulties. They understand the value of overcoming the problem. In every area of the human experience, we may find those precious ones who are able and willing to be a blessing to others.
Considering how much we are all given to discuss the characters of others, and discuss them often not in the strictest spirit of charity, it is singular how little we are inclined to think that others can speak ill-naturedly of us, and how angry and hurt we are when proof reaches us that they have done so.
My characters tend, if wounded, to be emotionally resourceful. Often they're in that way station between when loss happens and when it can be fully comprehended. In the meantime they're fighting to get something back, and occasionally they prevail in surprising ways.
Often poets fall into groups that exclude others, and don't pay attention to those who write in different ways. It seems so limited to me.
It's called 'Dear White People,' but really, it's about these black characters and how they are involved or not involved in a racial scandal in ways that might surprise them and others, right?
I'm always perversely attracted to characters that seem one thing, but are ultimately revealed as another...
Most of our troubles are due to our passionate desire for and attachment to things that we misapprehend as enduring entities.
My attitudes aren't directed toward characters at all. I don't feel sympathetic toward some characters, unsympathetic toward others. I don't love some characters, feel contempt for others. They have attitudes; I don't.
I especially don't like the graphic violence against women and children often depicted in novels such as 'The Girl With the Dragon Tattoo' and others. I'm not sure if it's being done just to entertain or whether it really is necessary for the characters involved.
The thing with '24' is that because it moves so much, it's a challenge, and sometimes things get revealed about these characters as you go.
Often, female characters are quite one dimensional, especially in a two hour film; television gives characters room to breathe and develop.
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