A Quote by Robert Breault

Every great artist raises art to a science, and every great scientist raises science to an art, hence we have Michelangelo's David and Einstein's Theory of Relativity. — © Robert Breault
Every great artist raises art to a science, and every great scientist raises science to an art, hence we have Michelangelo's David and Einstein's Theory of Relativity.
We affirm the neutrality of Science ... Science is of no country. ... But if Science has no country, the scientist must keep in mind all that may work towards the glory of his country. In every great scientist will be found a great patriot.
Every science touches art at some points—every art has its scientific side; the worst man of science is he who is never an artist, and the worst artist is he who is never a man of science.
Every great scientist becomes a great scientist because of the inner self-abnegation with which he stands before truth, saying: "Not my will, but thine, be done." What, then, does a man mean by saying, Science displaces religion, when in this deep sense science itself springs from religion?
Newton, Einstein, and every other great scientist in history...They all made mistakes. Of course they did. They're human! Science is a way to keep from fooling ourselves and each other.
Einstein is notmerely an artist in his moments of leisure and play, as a great statesman may play golf or a great soldier grow orchids. He retains the same attitude in the whole of his work. He traces science to its roots in emotion, which is exactly where art is also rooted.
Nations in their great ages have not been great in art or science, but in art and science.
For years, my early work with Roger Penrose seemed to be a disaster for science. It showed that the universe must have begun with a singularity, if Einstein's general theory of relativity is correct. That appeared to indicate that science could not predict how the universe would begin.
Every work of science great enough to be well remembered for a few generations affords some exemplification of the defective state of the art of reasoning of the time when it was written; and each chief step in science has been a lesson in logic.
The object of science is knowledge; the objects of art are works. In art, truth is the means to an end; in science, it is the only end. Hence the practical arts are not to be classed among the sciences
There are two avenues from the little passions and the drear calamities of earth; both lead to the heaven and away from hell-Art and Science. But art is more godlike than science; science discovers, art creates.
Statistics is the most important science in the whole world: for upon it depends the practical application of every other science and of every art: the one science essential to all political and social administration, all education, all organization based on experience, for it only gives results of our experience.
Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
Relativity was a highly technical new theory that gave new meanings to familiar concepts and even to the nature of the theory itself. The general public looked upon relativity as indicative of the seemingly incomprehensible modern era, educated scientists despaired of ever understanding what Einstein had done, and political ideologues used the new theory to exploit public fears and anxieties-all of which opened a rift between science and the broader culture that continues to expand today.
In the '70s and '80s there was an attempt in K-12 to teach science through art or art through science. The challenge today is how do you build the ethos of art and design into the academy of science.
We need more math classes, we need more science. It's the art of math and the art of science that creates all the innovation, and we have a tradition of great arts, great music.
The artist's conception of his art or the scientist's of his science is usually as great as his conception of his own worth is small.
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