A Quote by Robert Breault

I look into the faces of people struggling with their own lives, and I do not see strangers. — © Robert Breault
I look into the faces of people struggling with their own lives, and I do not see strangers.
For a long time I've walked through this world with the desire, like in Rear Window, to look into other people's lives because I know that there is a way in which I am the same as so many of the strangers that I see.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
When you're struggling with something, look at all the people around you and realize that every single person you see is struggling with something, and to them, it's just as hard as what you're going through.
Our very lives depend on the ethics of strangers, and most of us are always strangers to other people.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
The times are chaotic. For me, I would hope that people look at [Angel] and gain strength by it. With everything that I do, I hope that they see people struggling to live decent, moral lives in a completely chaotic world. They see how hard it is, how often they fail, and how they get up and keep trying. That, to me, is the most important message I'm ever going to tell.
I think audiences definitely respond to people who are not living the perfect lives. The flawed characters, the people who are struggling. The antiheroes - people like to see that a lot more.
In my family and in my community, I see people struggling with drug addiction, with poverty and the effects of generational poverty; I see people struggling with lack of access to healthcare.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
Strangers are exciting, their mystery never ends. But, there's nothing like looking at your own history in the faces of your friends.
I think everyone is struggling somewhat with presentation. The Internet is generally well designed, if you look at the most popular websites, so we expect our visuals to be at that level of quality. When you sit in a presentation and you're looking at nonsensical pie charts and the like, your audience does disengage. People across a range of industries, not just science, are struggling with their communication because their output doesn't compete with what people see on a day-to-day basis.
How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.
Here, we have a country that is making its veterans, people who are struggling with post-traumatic stress, people who are struggling with depression, who often they're only hope is their access to marijuana to treat these illnesses, and here we are criminalizing them for doing what's necessary to stabilize their lives as a result of their service. This is not who we are as a country. We are better than this.
When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
If you're going to create a character, the tools you use to make that character 'real' are the lives you see around you. The people you listen to on the street. The emotions you see on faces and bodies while you're sitting... in a Starbucks, watching the world go by.
People are going to say, "I was a lesbian back in the 90s" just like people say, "I was a hippie in the 60s". I see them struggling. Rich girls struggling with their heterosexuality.
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