A Quote by Robert Breault

The first goal of writing is to have one's words read successfully. — © Robert Breault
The first goal of writing is to have one's words read successfully.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I once read Updike after writing a first draft, and I wanted to put my own book on the fire. I've since learned to read utter crap while I'm writing: pulp is the thing.
When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
A goal that is not in writing is like cigarette smoke: It drifts away and disappears. It is vague and insubstantial. It has no force, effect, or power. But a written goal becomes something that you can see, touch, read, and modify if necessary.
Since I stopped writing, I read more than ever. Other people's words, not my own - my words are gone.
When I'm writing a novel or doing other serious writing work, I do it on a schedule that dictates writing either 2,000 words a day or writing until noon. After I hit whichever mark comes first, then I can give my attention to everything else I have to do.
Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
I don't sit down with a goal of writing. I read books or magazines. I watch TV. I go to the doctor. I get on airplanes. I live a normal life and sometimes I'll notice something or read things or experience things.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
The writing is really important in books that affect me. I read for the writing. The story is usually of less interest to me. It's the words that break your heart.
I'm well-read as far as literary fiction, but I wanted to make better decisions about my writing, to use words or phrases more confidently by learning how your words can be interpreted, the shades of meaning, the different connotations.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.
I think a lot about writing and I try to read a lot. Being a musician, I don't take the words lightly; they are very, very important to me. At the same time, the words have to be musical and have to fit.
I write to be read. I'm quite direct about that. I'm not writing to thrill colleagues or to impress the professors at the University of Iowa; that's not my goal.
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