A Quote by Robert Breault

A painting is what you make of it, besides which, 'Moon, Weeping' has a better ring to it than 'Paintbrush, Dripping. — © Robert Breault
A painting is what you make of it, besides which, 'Moon, Weeping' has a better ring to it than 'Paintbrush, Dripping.
Your body is not your art - it's your paintbrush. Whether your paintbrush is a tall paintbrush or a thin paintbrush or a stocky paintbrush or a scratched up paintbrush is completely irrelevant.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
For me, it's better to wake up with a paintbrush than a knife in my hand. -Peeta
What happens between the bells is what Ring of Honor has always been known for. If you're looking for that action - the in-ring wrestling - that's what Ring of Honor offers at a better rate than anyone else in the world.
POET If not in a place, where are the People weeping? LIBERAL They creep weeping in the face, not place. POET Is it something with which we may cope The weeping, the creeping, the peepee-ing, the peeping?
Beauty is Nature in perfection; circularity is its chief attribute. Behold the full moon, the enchanting golf ball, the domes of splendid temples, the huckleberry pie, the wedding ring, the circus ring, the ring for the waiter, and the "round" of drinks.
You do your best with the realization that nothing gets you in ring-shape better than being in the ring.
I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew -- the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight. -- Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all.
I saw 'Joy Luck Club' when it came out, so that was early mid-'90s, and I remember seeing it with my long-time collaborator, Mina Shum. We'd just done 'Double Happiness,' and we saw this movie, and we were weeping. Like, shuddering weeping. Weeping more than really the film deserved.
Have pity on those who are fearful of taking up a pen, or a paintbrush, or an instrument, or a tool because they are afraid that someone has already done so better than they could.
I cannot remember a time when I was not interested in both gardening and painting. I must have been born with a trowel in one hand and a paintbrush in the other.
Having a child doesn't make a woman a mother any more than owning a paintbrush makes her Frida Kahlo.
My primary thing is to make a painting, not necessarily to make a painting to sell for gazillions of dollars, but just to make a painting.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo.
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