A Quote by Robert Breault

There is a limit to how much you can change to be liked for who you really are. — © Robert Breault
There is a limit to how much you can change to be liked for who you really are.
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
There is a limit to how much you can cut but there is no limit to how much you can earn.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
The McCain-Feingold limit on how much you give a candidate didn't really work because people found ways to get around it.
When I was growing up, I really liked punk rock. I liked the sort of people that played really powerful music that was pretty unassuming otherwise - people who didn't dress weird or do much theatrics.
I was not a very popular kid in high school, and I had this idea that the way that I dressed would change how liked I was. It was that kind of Pygmalion story. I think, ultimately that's probably why I became interested in fashion, its transformative power, and how it can change your identity.
I enjoyed playing with the guys in Free Spirit so much because they really dug into Free material, and I really liked how they expressed it. They have a lot of dynamics.
I really liked 'Walk The Line,' and I really liked 'Girl Interrupted,' and I really liked '3:10 To Yuma.'
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I think a lot of people are afraid of freedom. They want their lives to be controlled, to be put into a box... Why should someone put a limit on how much fun I can have, how much I can accomplish?
When I read the script, I liked the script very much and I thought it was a marvelous part for her, because I think it is a change of pace. I mean, we know how wonderful she is in romantic comedy.
I think parents are probably really excited for their kids and want to give them everything. But there should be a limit on how much you give your kids. Because kids are quite creative, especially at a young age when they don't really know what rules are.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
I wanted to be a poet. I had a really romantic idea about what that would mean. My parents knew some poets, and I liked how they dressed and acted, but I didn't really acknowledge that I only liked reading some bits of poetry while I was peeing or something.
I was pretty much a hippie. I was a vegetarian, gypsy-like. I liked to meditate, and it's curious because I was very much attracted to the possibility of change.
I went to visit Alcatraz years ago when I was on tour with the Pistols, and I really liked the atmosphere of the place. I genuinely, really, thoroughly enjoyed the whole morning there. I just liked the quietness and stillness of what is basically a cruel prison complex. I still found some kind of joy in that. That's how I am.
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