A Quote by Robert Breault
If it doesn't work horizontally as prose... it probably won't work any better vertically pretending to be poetry.
Related Quotes
We collectively, to get things done, work together as a team. Because the work really happens horizontally in our company, not vertically. Products are horizontal. It takes hardware plus software plus services to make a killer product.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
My poems and prose are not often in direct conversation with each other, but there's so much crossover - everything that comes out of that crucible of language - that working in poetry and prose is energizing - to me as a writer and to the work itself.
I realized early on, maybe better than some of my competitors did, that a textile business can run only if you have scale. I decided to horizontally and vertically integrate, adding everything from spinning, dyeing, weaving, and stitching to processing and packing.
I always think about music horizontally and vertically at the same time.
Koko B. Ware is a crossword wrestler: he enters the ring vertically, and leaves horizontally.
As a prose writer, I work with language; and those who work with language turn to poetry for renewal.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.
Prose on certain occasions can bear a great deal of poetry; on the other hand, poetry sinks and swoons under a moderate weight of prose.
Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard.
She turned towards me and narrowed her eyes...narrowed them horizontally, not vertically.
I think many people (like myself) prefer to read poetry mixed with prose;
it gives you more to go by; the conventions of poetry have been getting
far off from normal life, so that to have a prose bridge makes
reading poetry seem more natural.
Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
Related Authors
Aaron Tippin Quotes
American
Musical Artist
Alex Gaskarth Quotes
American
Musical Artist
Ayshay Quotes
Senegalese
Musical Artist
Chris Tomlin Quotes
American
Musical Artist
David Finckel Quotes
American
Musical Artist
Derek Ridgers Quotes
English
Musical Artist
J. Robbins Quotes
American
Musical Artist
Ketch Secor Quotes
American
Musical Artist
Kode9 Quotes
Scottish
Musical Artist
Richard Meltzer Quotes
American
Musical Artist
Robert Hood Quotes
American
Musical Artist
Sara Quin Quotes
Canadian
Musical Artist
Squarepusher Quotes
English
Musical Artist
Z'EV Quotes
American
Musical Artist