A Quote by Robert Breault

It is one thing to show your child the way, and a harder thing to then stand out of it — © Robert Breault
It is one thing to show your child the way, and a harder thing to then stand out of it
I'll have my students try to follow their minds during the course of a day, just to see the way their minds work, the way our minds hop from thing to thing to thing. The Internet mirrors that to such a degree you can actually see it. Show me your search history and I'll show you who you are.
If you can show your child what its like to be charming and giving, show your child what love is really all about and show your child unconditional love, show your child caring and compassion and understanding the nonjudgmental and that is what your child will become.
The thing we get to do is bring music to people. I think that's the most important thing we can do. That's the way we show joy. That's the way we show love. That's way we show our gifts to so many.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
I've never been motivated by the award thing. There's a certain thing that this fame thing does that makes my job harder, in a way. I'm still working with that. I don't think about it too much until somebody asks me a question, and then I think about it.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
If all you have is satire, your show will close. Even if all you have is comedy, your show will close. The hardest thing is not making people laugh: the hardest thing is building an emotional story. Any child can make a group of adults laugh.
But often, it's easier to resist temptation with distraction, or to be so inculcated in doing the right thing that it's automatic, outside the frontal cortex's portfolio - Then it isn't the harder thing, it's the only thing you can do.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
Another editor. That thing behind his ear is his pencil. Whenever he finds a bright thing in your manuscript he strikes it out with that. That does him good, and makes him smile and show his teeth, the way he is doing in the picture. This one has just been striking out a smart thing, and now he is sitting there with his thumbs in his vest-holes, gloating. They are full of envy and malice, editors are.
What's important on a comedy show, or any show, is that some stories have to go somewhere. There have to be ends to the beginnings and middles you create. But sometimes it's like a way station on the highway, then the actual thing doesn't have to be this giant, climactic, life-changing, game-changing thing.
We wanted it to have a simplicity to it, so that if you're a 12-year-old and you're watching the show and you get inspired, you could easily sketch this thing out with your markers or crayons or whatever, then you'd show your friends and they'd instantly go, 'Oh yeah, that's the Demogorgon, that's the monster from 'Stranger Things.'
There's also an aspect which I tried to express yesterday by saying the same "something" that looks out through Curlys eyes is also the same exact thing which looks out of Moe's eyes, and that's harder for people to grasp. So the thing is, you have to find a way to ultimately embrace both sides or else you can't function. If you only embrace the side of pure oneness then you end up sort of spacing out and sitting under a blanket.
Festivals are a way for new people to see who you are and you can feel pressured to stand out, but just do your thing and be proud of that. Don't stress out, and know that nothing is supposed to be perfect.
The number one thing in this world that has brought people out of poverty is the ease of doing business. And it's getting harder and harder and harder. I mean, you basically have the Democrats out there saying I should pay more and more taxes on the profits I make.
Modern science gives lectures on botany, to show there is no such thing as a flower; on humanity, to show there is no such thing as a man; and on theology, to show there is no such thing as a God. No such thing as a man, but only a mechanism, No such thing as a God, but only a series of forces.
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