A Quote by Robert Breault

Dancing is moving to the music without stepping on anyone's toes, pretty much the same as life. — © Robert Breault
Dancing is moving to the music without stepping on anyone's toes, pretty much the same as life.
Japanese of my generation try to get through life without stepping on anyone's toes; in some ways that's unnatural and stressful. The yakuza are different: They live short lives but live and die on their own terms - it's exciting to portray that.
Hawaiian to me is a feeling of getting somewhere, without stepping on anybodys toes, without causing friction with anybody.
All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
It is impossible to get anything made or accomplished without stepping on some toes; enemies are inevitable when one is a doer.
The white music was melodic and pretty, and you had beautiful women's voices like Gogi Grant and even the Andrews Sisters. Then I went directly to rhythm and blues, which had beautiful voices but not much melody in particular and pretty much the same chord pattern. I loved it, I was entrenched in it, but then folk music came in the middle of that for me, and made its own path. And it was part of the rebellion against bubblegum music, or music that is pretty but doesn't say anything.
Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.
I always figure from the cradle to the grave, we all have our individual journeys, and maybe my journey was a positive one and I accomplished certain things without stepping on too many toes.
We try to magnify the difference between Americans and the English. In real life they like the same music and dress the same. It's really much more similar than anyone thinks or how we show it.
Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention.
There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.
Music, music, music. It doesn't get much better than that! It pretty much consumes my life.
I am pretty embroiled in moving on and moving forward with music.
I don't know how to let loose when I'm dancing to the music and the people that made the music are watching me. I've never felt so much pressure in my life.
I don't think anyone has a bad perception of me. Just a limited one. Everyone thinks I pretty much sit around and talk about Jesus all the time. But I'm normal. I'm just a guy. Yeah, I love Jesus and do things a bit different, but I have the same conversations and share the same thoughts as anyone else.
Classical dancing has always been the stepping stone of every dancer's life.
I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.
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