A Quote by Robert Bridges
Poetry's magic lies in the imagery which satifies even without interpretation..it is accepted as easily as it was created.
Related Quotes
The art of poetry consists in taking the poem through draft after draft, without losing its inspirational magic: he removes everything irrelevant or distracting, and tightens up what is left. Lazy poets never carry their early drafts far enough: some even believe that virtue lies in the original doodle scrawled on the back of an envelope.
Images are the heart of poetry ... You're not a poet without imagery.
If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.
That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.
I think poetry bridges text and image. Poetry is visual in its imagery - but it requires close attention to words themselves. Words become jewels in poetry, while they are often tools in other genres.
Poetry carries the imagery which is large enough for the kind of life we want for ourselves.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
Poetry is a dissociating and anarchic force which through analogy, associations and imagery, thrives on the destruction of known relationships.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
As soon as a thought or word becomes a tool, one can dispense with actually 'thinking' it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics - the model of all neo-positivistic thinking - lies in just this 'intellectual economy.' Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. ... Reason ... becomes a fetish, a magic entity that is accepted rather than intellectually experienced.
I think first we have to begin by telling the truth, which I think has actually been a big stumbling block. We can look at Donald Trump and see how he lies, but I think we also have to look at some of the lies we've told ourselves and the lies we've accepted and internalized ourselves.
Which was first, Matter or Force? If we think on this question, we shall find that we are unable to conceive of matter without force, or force without matter. When God created the elements of which the earth is composed, He created certain wondrous forces, which are set free and become evident when matter acts on matter.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
Most of the time, as an artist, I can be self-indulgent, fulfilling my own impulses, embracing imagery that contains poetry on my own terms, without immediate regard to an audience or the particular placement of my finished work.
Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.
Poetry is that magic which consists in awakening sensations with the help of a combination of sounds ... that sorcery by which ideas are necessarily communicated to us, in a definite way, by words which nevertheless do not express them.
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