A Quote by Robert Browning

If all the world is a stage and life is just a play upon it, get me two seats in the stalls. — © Robert Browning
If all the world is a stage and life is just a play upon it, get me two seats in the stalls.
My sister has kids, including two in baby seats, and she drives a minivan. I had to climb over the car seats to get into the back seat, and it seemed ridiculous to have to do gymnastics to get in and out of the car.
A stage play is beautiful only when it is seen as a stage play, just like you cannot get the same effect of a live Bharatanatyam performance in a recording.
There are times when I think, if I were a bit more famous, life could be easier in terms of work because producers want bums on seats, and they're going to get bums on seats if they get a name, if you have had that series on telly.
Being a celebrity you always get really good seats to sporting events but you never get as good seats as the photographers get. And I really love sports. So one of the scams I have going now is I want to learn sports photography so I can get better seats at a sporting event.
I feel sure that coups d'état would go much better if there were seats, boxes, and stalls so that one could see what was happening and not miss anything.
We use the Air Force analogy: there were expensive things they had to do to get a cockpit suitable for a lot of pilots, like wraparound windshields, but their initial solutions, when they realized average didn't work, were adjustable seats. How in the world did they not already have adjustable seats in their planes? We're looking for adjustable seats for education, for basic things that we can do.
I want to play right-back. I have worked my whole life to get to where I am now in a World Cup squad and to showcase my talent in the World Cup stage, playing in my position.
I get very nervous before I get on the stage, but once I'm on the stage, I'm just, you know, me. Nothing hurts me.
A lot of the time, you're supposed to play to the top of your intelligence, as truthful as possible. But when you're on stage making people laugh, you're still acting. I think it helped me a bunch to go on stage two or three times a week.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!
You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
In my opinion, the only way to conquer stage fright is to get up on stage and play. Every time you play another show, it gets better and better.
When you know you have 1,000 people sitting on the edge of their seats in silence because of a shift that just happened on stage, there is no better feeling.
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