A Quote by Robert Browning

Sappho survives, because we sing her songs; And Eschylus, because we read his plays! — © Robert Browning
Sappho survives, because we sing her songs; And Eschylus, because we read his plays!
Sappho is a great poet because she is a lesbian, which gives her erotic access to the Muse. Sappho and the homosexual-tending Emily Dickinson stand alone above women poets, because poetry's mystical energies are ruled by a hierach requiring the sexual subordination of her petitioners. Women have achieved more as novelists than as poets because the social novel operates outside the ancient marriage of myth and eroticism.
My favorite music to sing would be my own songs, my original songs, just because I know them, you know I write the tunes, so my favorite songs are the newest ones that I write. That's what I like to sing the most, because it means something, it's real, it comes from me.
Mad with the love of a wife for her husband... sing for the Most High sing for no other. We are all notes in this eternal song. God plays His flute and we all dance along.
The LUMS Olympiad back 10 years ago gave me a boost to sing songs where I first met with amazing Uzair Jaswal who did not sing cover songs but his original songs.
Rush like a river from the highest mountain, drink from the fountain and stop your counting. What kind of wine does he have in his tavern, oh so enchanted and sing like a mad man. Mad with the love of a wife for her husband, child or mother, sister or brother... sing for the Most High, sing for no other. We are all notes in this eternal song, God plays his flute and we all dance along.
I sing, but I'm not a singer. I'm just a producer who sings on her own songs because I can't find anybody else who sounds like me.
I just sing the songs that people don't expect you to sing, because I just love having fun at karaoke and I'm always a bit nervous to sing something serious.
We sing songs about love because we love the people we sing our songs to!
Growing up as a singer, and a cast member, and now as an adult, a songwriter, I get the luxury of choosing the kinds of songs that I want to sing, because I'll write, you know, hundreds of songs. Even though only 12 appear on the album. That's 12 that I've chosen to sing of my catalog.
Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.
I started playing the bass because nobody else would play the bass, and then I got bumped up into singing because no one else really wanted to sing. So I learned how to sing and I wrote the songs, so I tended to get the most attention.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.
It does make sense to put on some songs that are relatively short, because radio usually only plays songs that are less than 4 or 5 minutes.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
I did plays because I liked plays. I studied psychology because I was fascinated by the subject, and I hope to keep doing films because I love the medium.
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