A Quote by Robert Browning

The sad rhyme of the men who proudly clung To their first fault, and withered in their pride. — © Robert Browning
The sad rhyme of the men who proudly clung To their first fault, and withered in their pride.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
Some rhyme a neebor's name to lash; Some rhyme (vain thought!) for needfu' cash; Some rhyme to court the countra clash, An' raise a din; For me, an aim I never fash; I rhyme for fun.
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
Morality comes with the sad wisdom of age, when the sense of curiosity has withered.
Who are you that men should rend their bosom and unveil their pride, that you may see their worth naked and their pride unabashed? See first that you yourself deserve to be a giver, and an instrument of giving.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
It makes me sad, sad inside, to see a warrior without his pride.
It was just so in the American Revolution, in 1776, the first delicacy the men threw overboard in Boston harbor was the tea, woman's favorite beverage. The tobacco and whiskey, though heavily taxed, they clung to with the tenacity of the devil-fish.
Poor Fred - he's actually working on a typo, and somebody ought to tell him. Twice in the New Testament Jesus withered fig trees, Isaiah withered a fig tree, and there's another place in the Old Testament - I think it-s in Psalms - where a fig tree was withered. God hates figs, not fags!
I don't know that there's any rhyme or reason to bullying... it's not even the bully's fault, which is why it's such a difficult thing to combat.
Pride is a fault that great men blush not to own: it is the ennobled offspring of self-love; though, it must be confessed, grave and pompous vanity, Iike a fat plebeian in a rove of office, does very often assume its name.
The bay-trees in our country are all withered, And meteors fright the fixèd stars of heaven. The pale-faced moon looks bloody on the earth, And lean-looked prophets whisper fearful change. Rich men look sad, and ruffians dance and leap; The one in fear to lose what they enjoy, The other to enjoy by rage and war. These signs forerun the death or fall of kings.
For me as a woman pride is not really sin, but rather something that I still have to learn. The male conception of the person who rebels against God by affirming himself, by acting proudly, arrogantly, and without constraints, is not a woman's concern. Rather, we women are in danger of not developing any pride, of never becoming independent, of constantly remaining within too narrow boundaries.
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