A Quote by Robert Browning
The trouble that most of us find with the modern matched sets of clubs is that they don't really seem to know any more about the game than the old ones did.
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To appear to be on the inside and know more than others about what is going on is a great temptation for most people. It is a rare person who is willing to seem to know less than he does ... Somehow, people seem to feel that it is belittling to their importance not to know more than other people.
I think in fifth sets I'm really playing good tennis, more than any other sets.
Among the games I did not develop myself, my most frequently played game is definitely "Doppelkopf," a traditional German card game; for more than 40 years now, I play it regularly with old school friends.
The trouble with integers is that we have examined only the very small ones. Maybe all the exciting stuff happens at really big numbers, ones we can't even begin to think about in any very definite way. Our brains have evolved to get us out of the rain, find where the berries are, and keep us from getting killed. Our brains did not evolve to help us grasp really large numbers or to look at things in a hundred thousand dimensions.
Most poetry is very formal, but when a modern poet is formal he gets more attention for it than old poets did.
Modern girls are much more informed than we were. Modern girls seem to know more and there is openness.
This was how the modern working girl behaved. She didn’t hide her femininity or apologize for it, as they did in the old days. She flaunted it and, having been given more than any woman before her, demanded even more than that.
The humorous look of children is perhaps the most endearing of all the bonds that hold the Cosmos together. Their top-heavy dignity is more touching than any humility; their solemnity gives us more hope for all things than a thousand carnivals of optimism; their large and lustrous eyes seem to hold all the stars in their astonishment; their fascinating absence of nose seems to give to us the most perfect hint of the humour that awaits us in the kingdom of heaven.
Few words in any language carry such a load of meaning as 'honor.' It is an old word, unchanged even in its spelling from classical Latin to modern English. Spoken or written, it does not seem to require much explanation; most people think they know what it means.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
It was not the goal that really concerned us, the journey was the thing. Who ever reaches any goal? From what journey can we return? We know of the poverty about us, of the work and worry, but we know of a degree of freedom, of a stunted beauty. We have warm open days and sunshine in Carolina. Much is denied us. But we have, we have. And an attitude is more powerful than any circumstance.
I really don't know why people have so much trouble now writing about religious faith. It is true that clichés can override more interesting impulses. But the desire to find meaning, to be generous, to live well in an ethical and spiritual sense, is so widespread that it should not seem alien to people when it is expressed in the terms of traditional religion.
One current of continuity runs underneath all the abortive phases of my life. From childhood on I have been obliged to drop anything I was doing to run after any man who seemed to know a little more than I did about God . . . I most want to write about: how a modern woman has sought the face of God-not the name nor the fame but the face [ital] of God-and what adventures came to meet her on this ancient human path.
If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on [...]; "I seem to see some meaning in them, after all.
My favorite part (of the game) is knowing that they're comfortable, knowing that, no matter
what, they can count on me. What I really enjoy most about catching is the
relationship with a pitcher. The most important thing is they can relax when I'm
back there and know that I did my job, I did some homework on hitters.
I remember being fascinated by the graduated sizes and perspective on the sets [of Star Wars]. And how they put shorter people and kids in the uniforms and placed them in the distance to give the idea that these sets had more depth than they really did.
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