A Quote by Robert Burns

Now Nature hangs her mantle green
On every blooming tree,
And spreads her sheets o'daisies white
Out o'er the grassy lea. — © Robert Burns
Now Nature hangs her mantle green On every blooming tree, And spreads her sheets o'daisies white Out o'er the grassy lea.
Now came still evening on, and twilight gray Had in her sober livery all things clad; Silence accompany'd; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale; She all night long her amorous descant sung; Silence was pleas'd. Now glow'd the firmament With living sapphires; Hesperus, that led The starry host, rode brightest, till the moon, Rising in clouded majesty, at length Apparent queen unveil'd her peerless light, And o'er the dark her silver mantle threw.
White on rice. Green on grass. Sheets on a bed. Him on her.
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
There was a basket at her feet. She reached into it and lifted out the head of a young woman, a marquise. She wore Bourbon white to her death, but wears the tricolor now - white cheeks, blue lips, red dripping from her neck. Long live the revolution.
And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.
Death is not rare, alas! nor burials few, And soon the grassy coverlet of God Spreads equal green above their ashes pale.
Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body.
All her knowledge is gone now. Everything she ever learned, or heard, or saw. Her particular way of looking at Hamlet or daisies or thinking about love, all her private intricate thoughts, her inconsequential secret musings – they’re gone too. I heard this expression once: Each time someone dies, a library burns. I’m watching it burn right to the ground.
Rachel Dolezal stepped down from her position as president of an NAACP chapter after it was revealed that she was a white woman pretending to be black. Now her brother says he knew about it but she asked him not to blow her cover. Unfortunately, her cover had already been blown by God when he made her a blond-haired, blue-eyed white lady.
Dad was a draughtsman; he's now retired. Mum was a nurse who spent a lot of her time in ER and oncology. She's such a compassionate, generous person. If I was meeting her on the worst day of my life, I'd be very grateful to have met her.
Nearly every morning, a certain woman in our community comes running out of her house with her face white and her overcoat flapping wildly. She cries out, "Emergency, emergency," and one of us runs to her and holds her until her fears are calmed. We know she is making it up; nothing is has really happened to her. But we understand, because there is hardly one of us who has no been moved at some time to do just what she has done, and every time, it has taken all our strength, and even the strength of our friends and families, too, to keep us quiet.
O, the mulberry-tree is of trees the queen! Bare long after the rest are green; But as the time steals onwards, while none perceives Slowly she clothes herself with leaves-- Hides her fruit under them, hard to find. . . . . But by and by, when the flowers grow few And the fruits are dwindling and small to view-- Out she comes in her matron grace With the purple myriads of her race; Full of plenty from root to crown, Showering plenty her feet adown. While far over head hang gorgeously Large luscious berries of sanguine dye, For the best grows highest, always highest, Upon the mulberry-tree.
Ask for what end the heavenly bodies shine, Earth for whose use? Pride answers, 'Tis for mine For me kind nature wakes her genial power, Suckles each herb, and spreads out every flower.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
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