A Quote by Robert Burns
Some rhyme a neebor's name to lash;
Some rhyme (vain thought!) for needfu' cash;
Some rhyme to court the countra clash,
An' raise a din;
For me, an aim I never fash;
I rhyme for fun.
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Rhyme to kill, rhyme to murder, rhyme to stomp,
Rhyme to ill, rhyme to romp,
Rhyme to smack, rhyme to shock, rhyme to roll,
Rhyme to destroy anything, toy boy.
On the microphone:
I'm Poppa Large, big shot on the East Coast.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
In 1967, in DeKalb v. DeSpain, a court (255 F.Supp. 655. N.D.Ill. 1966.) took a 4-line nursery rhyme used by a K-5 kindergarten class and declared the nursery rhyme unconstitutional. The court explained that although the word 'God' was not contained in this nursery rhyme, if someone were to hear the rhyme, he might think that it was talking about God - and that would be unconstitutional!
I thought of rhyme alone,
For rhyme can beat a measure out of trouble
And make the daylight sweet once more.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.
I mean, when it's time to rhyme rhyme, I can get down for mine.
Assonance is not the enemy of rhyme. It helps us to respect rhyme, which has been spoiled by mechanical use.
I am my own parent when it comes to rapping and do impromptu stuff. Being a rapper, you have to be good at improvising, like you give me a word and I have to rhyme it quickly and then make sense out of the rhyme.
I prefer assonance and internal rhyme to end rhyme. I mean, the sonnet already looks like a box. Best not to get too boxed in, though.
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
I came in the door, I said it before
I never let the mic magnetize me no more.
But it's biting me, fighting me, inviting me to rhyme,
I can't hold it back...I'm looking for the line.
Taking off my coat, clearing my throat,
My rhyme will be kicking until I hit my last note.
Music lives in me. Life is a song to me. I have the gift of rhyme, and I'm always trying to write and rhyme. Music is just natural everyday occurrence with me.
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
Half dead at the top.
I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.
Yea, marry, now it is somewhat, for now it is rhyme; before, it was neither rhyme nor reason.
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