A Quote by Robert Burns
Let them cant about decorum, Who have characters to lose!
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... where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing but cant, cant, cant.
If you cant laugh at your own characters, or shed a tear for them, or even get angry at one of them, no one else will either.
Just take me with you. Please. I cant. Please, Papa. I cant. I cant hold my son dead in my arms. I thought I could but I cant.
Should you be unfortunate enough to have vices, you may, to a certain degree, even dignify them by a strict observance of decorum;at least they will lose something of their natural turpitude.
I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
You put books out into the world, and people form their own visuals and images and attachments to characters; those characters become part of them, and they have their feelings about them.
But it seems Ive got this set of scales inside me that I never used to have, or at least I wasnt aware of, and I cant shake the feeling that if I dont try to keep them balanced, Ill lose something I wont be able to get back.
You know, it's hard as a writer to lose characters (and actors) you like. You really don't want them to die because you're not going to get to see them anymore.
i can win but you cant lose, this makes us all even in our ways.
They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
Sports is about people who lose and lose and lose. They lose games; then they lose their jobs. It can be very intriguing.
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.
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