A Quote by Robert Burns
Critics! Those cut-throat bandits in the paths of fame.
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Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
Of course, there are those critics - New York critics as a rule - who say, 'Well, Maya Angelou has a new book out and of course it's good but then she's a natural writer.' Those are the ones I want to grab by the throat and wrestle to the floor because it takes me forever to get it to sing. I work at the language.
In church your grandsire cut his throat; to do the job too long he tarried: he should have had my hearty vote to cut his throat before he married.
Stories open up new paths, sometimes send us back to old ones, and close off still others. Telling and listening to stories we too imaginatively walk down those paths - paths of longing, paths of hope, paths of desperation.
If I found in my own ranks that a certain number of guys wanted to cut my throat, I'd make sure that I cut their throats first.
Sometimes life takes you on unexpected paths, and those paths aren't always in the same direction.
I read a lot of books. I read because it inspires me and shows me paths that I could never imagine. Sometimes those paths are horrible and sad, and sometimes they are hopeful and amazing. Not always are they paths to the future, and sometimes the paths are actually about the past but make sense when applied to the future. Books are amazing.
Even those who write against fame wish for the fame of having written well, and those who read their works desire the fame of having read them.
I don't care what is written," Meyer Landsman says. "I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
The satsang is - within the mass culture - like little mushrooms here and there, and somebody, maybe a Christian and a Hindu and a Buddhist, come together; doesn't matter, because those are paths. They're paths to the One. But those satsangs are what the world needs. And as I say - heart to heart - that's what satsang is.
Critics are usually kinder to cheaper movies than to those they perceive to be big Hollywood releases. They cut you a lot more slack if you spend less money, which makes no sense.
"Every national border in Europe," El Eswad added ironically, "marks the place where two gangs of bandits got too exhausted to kill each other anymore and signed a treaty. Patriotism is the delusion that one of these gangs of bandits is better than all the others."
I have a perfect cure for a sore throat: cut it.
People like [Memoirs of a Woman Doctor], whether young people, young women, even critics - male critics - they were not shocked by it. Of course, some parts were cut.
Don't cut my throat, I may want to do that later myself.
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