A Quote by Robert C. Solomon

Indeed, some kitsch seems to be flawed by its very perfection, its technical virtuosity and its precise execution, its explicit knowledge of the tradition — © Robert C. Solomon
Indeed, some kitsch seems to be flawed by its very perfection, its technical virtuosity and its precise execution, its explicit knowledge of the tradition
While tacit knowledge can be possessed by itself, explicit knowledge must rely on being tacitly understood and applied. Hence all knowledge is either tacit or rooted in tacit knowledge. A wholly explicit knowledge is unthinkable.
The execution of William Bonin was not the traditional gas chamber of the past. That has been ruled cruel and unusual. Instead, we have something that seems very kind and benign and technical; the injection of chemicals, Nazi-style.
The precondition for kitsch, is the availability of a fully matured cultural tradition, whose discoveries kitsch can take advantage of for its own ends. It draws its lifeblood, so to speak, from this reservoir of accumulated experience
Contrary to popular wisdom, knowledge is not power-it's potential power. Knowledge is not mastery. Execution is mastery. Execution will trump knowledge every day of the week.
It seems to me that most characters, in anything, are flawed in some way, just like most people. You look for the good in the flawed people and vice versa, and then try and make them appealing in some way.
Becoming mature is not important for art. Technical perfection is not relevant to art. Precision in art is only achieved by total duty of loyalty. Love, lusciousness, birth and fertility are precise tools of art, like laws.
Operation Fast and Furious was flawed in concept and flawed in execution. The tactics used in this operation violate Department of Justice policy and should never have been used.
I always admired very much the virtuosity in Strauss because, really, he's a master of using the orchestra. And I like virtuosity, I must say, even if the taste of the music is not always mine.
I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.
How precise you need to be when you're in a comedy, and the honesty you need and to have those two things meet up and have the execution just right, I always found very difficult.
Salvador Dali has been called kitsch, but, although some of this work may be grotesque, its brazenly self-conscious bad taste saves it from being true kitsch, which always strives to please.
I do feel as if my own music as quite flawed, and it's that frailty or lack of technical proficiency that goes hand-in-hand with some sort of professionalism.
... one flaw throws the loveliness of [everything else] into focus. I remember reading that Shakers deliberately introduced a mistake into the things they made, to show that man shouldn't aspire to the perfection of God. Flawed can be more perfect than perfection.
The saying that a little knowledge is a dangerous thing is, to my mind, a very dangerous adage. If knowledge is real and genuine, I do not believe that it is other than a very valuable posession, however infinitesimal its quantity may be. Indeed, if a little knowledge is dangerous, where is a man who has so much as to be out of danger?
I guess my guitar parts are usually precise, but the execution of those parts is downright treacherous, since I'm not very good on guitar.
I prefer cooking to baking. Baking, to me, is very precise, and it's about perfection.
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