A Quote by Robert Caro
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world
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You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.
I never met my theater fans. I'm out the stage door five minutes after the curtain goes up. So that's it. I don't even know who comes, but thank God they do come. I can't tell. I keep my head down. I don't meet them. The fans from "Harry Potter" are kids who stop me in the street. I love that. That's terrific. I was amazed how many do.
God descends to re-ascend. He comes down; down from the heights of absolute being into time and space, down into humanity ... down to the very roots and sea-bed of the nature He has created. But He goes down to come up again and bring the ruined world up with Him.
The man who goes through life with an uncertain doctrine not knowing what he believes, what a poor, powerless creature he is! He goes around through the world as a man goes down through the street with a poor, wounded arm, forever dodging people be meets on the street for fear they may touch him.
Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car. What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.
It is as true for individuals as it is for the world itself: everything comes in waves. If you ride the waves of change, you succeed. If you ignore them, you fail. When the wave is down, most people resist it by trying to go up. When the wave goes up, you should go up with it. When it comes down, you go down.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
During the course of the year a number of ideas just come up automatically. I could be walking down the street. Or shaving. An idea will hit me and I'll write it down. Then, when I'm ready to write, I check my little matchbooks and napkins and find that it is good or it's pretty terrible. There are other times when I don't have any ideas and I'll go into a room and close the door and I sit and sweat it out for a day or a month and eventually I come up with [something].
Kids don't say, "Wait." They say, "Wait up, hey wait up!" Because when you're little, your life is up. The future is up. Everything you want is up. "Hold up. Shut up! Mum, I'll clean up. Let me stay up!" Parents, of course, are just the opposite. Everything is down. "Just calm down. Slow down. Come down here! Sit down. Put... that... down."
What's a bigger mystery box than a movie theater? You go to the theater, you're just so excited to see anything - the moment the lights go down is often the best part.
Every day a new picture is painted and framed, held up for half an hour, in such lights as the Great Artist chooses, and then withdrawn, and the curtain falls. And then the sun goes down, and long the afterglow gives light.
But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.
When I sit down to write a book, I do not know where the energy and the words come from. I just sit down, and soon it is flowing through my hand and onto the paper.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
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