A Quote by Robert Caro

I never went to a ballet until I was 45 years old. I don't know why. — © Robert Caro
I never went to a ballet until I was 45 years old. I don't know why.
Of course, anybody's who's 26 years old will probably say, "Of course the old guy would say that." But wait until you're 45 or 46 years old. See how you feel about it then.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
I began dancing when I was 7 years old. I was told that I had the perfect ballet dancer's body and had these crazy high arches in my feet that resulted in an amazing point. Ballet was very disciplined and, frankly, a little boring, so I eventually transitioned to gymnastics. I loved that, although I never reached a competitive level.
I began dancing when I was 7 years old. I was told that I had the perfect ballet dancers body and had these crazy high arches in my feet that resulted in an amazing point. Ballet was very disciplined and, frankly, a little boring, so I eventually transitioned to gymnastics. I loved that, although I never reached a competitive level.
The idea of being 45 years old and wearing spandex just doesn't happen for me, you know?
I began my addiction when I was 12 years old. By the time 40, 45 years later, when it, you know, it threatened my life and maimed me in terms of my voice, I was so addicted that I was smoking four packs of cigarettes a day.
Let me tell you the truth: I'm 45 years old. I never thought that I would live to see a black president.
Ballet Hispanico is a mixture of ethnic, ballet, social, jazz - you name it, it's doing it. The company has been going strong for more than 20 years, and you can see why: It may not be refined, but it's full of beans.
My parents are actors and never brought work home. I didn't even know what they did until I was about 10 years old. We never talked about it.
I have toured around for 45 years and have experience of night halt at more than 400 districts. And that's why I know the reality of this earth.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
You cannot break a horse until they're about 2 years old. You can halter-break them, meaning teach them how to lead and stuff, if you choose to, but you can't really break them until they're 2 because there aren't developed enough, you know what I mean? It would be like a 5-year-old playing football or something, you know?
As we grow older we think more and more of old persons and of old things and places. As to old persons, it seems as if we never know how much they have to tell until we are old ourselves and they have been gone twenty or thirty years. Once in a while we come upon some survivor of his or her generation that we have overlooked, and feel as if we had recovered one of the lost books of Livy or fished up the golden candlestick from the ooze of the Tiber.
When I was growing up, I never really knew my father. I didn't get to know my father until I was about 14 years old.
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
For a period of 17 years - from the age of 9 until I was 25 years old - my mother never spent a day free from domestic difficulties.
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