A Quote by Robert Caro
I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless.
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I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless
If [Bill Shawn] liked the piece, then he would run it. But he wanted the magazine to be something that was more than just a weekly event. And as a result you could pick up a New Yorker under him, as I mentioned before, a year from then or 10 years or 20 years and there would always be something worth reading in it.
You know what I always say to people who say, "Oh, I wish I were 20 years younger"? I say, "Enjoy your age now, because in 20 years you'll be wishing you were this age." You might as well enjoy it at the present time. What I think keeps you young is always having something to look forward to and doing something new.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
Any artist who sticks around in the public awareness for more than 20 years usually has something unique to say.
If you see something, say something. This is more than a slogan. If you see someone turning toward violence, say something. Say something to law enforcement or to one of you in your community.
Something worth doing might take a while, so really flesh out the potential of the business and be honest about whether it's worth doing. If it's not a $100 million company in five years, maybe it'll take 10 or 15 years. If you're doing something that has a universal, timeless need, then you need to think of the company in a timeless way.
When you've done something for more than a third of your life, your whole adult life, and then all of a sudden you're going to have to switch off and say, 'No more,' you want to grasp as much of it and enjoy the last few years of it as much as you can. Because you can't get those years back.
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
Can you say that in 20 years people would still use the iPhone? Maybe not. Maybe we'd have a new product or something more innovative. What I can say today is that, in 20 years, I'm quite convinced that people will still drink Dom Perignon.
It's difficult as an artist sometimes. There's a lot of pressure when it's your first album. You want to make something that's meaningful and timeless, not something that's trendy.
I still have so much gratitude for being part of something so great that is still around 20 years later, played in school and still getting the recognition that it gets. It is shocking, but then like I said, it's timeless so it isn't.
We sometimes feel like hamsters on a wheel, covering the same musical ground we did 20 or more years ago.
I always want to try to make films feel timeless, because one of my biggest pet peeves is that there's a movie you love, and then you revisit it twenty years later, you show your kid or something, and it's like, 'Oh my God!' with hairstyles and clothing and all that kind of stuff.
We'll probably live 20 more years than our grandparents did. The question is, what are you going to do with those extra 20 years?
Sometimes the reading is related to something I do, sometimes it's not. I feel like every time I read something, there's a quote or something that comes [into the work] later. There's nothing that happens by coincidence. It's fate, I would say.
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