A Quote by Robert Caro

If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.
The power of network television is amazing. I've been performing for years but have been seen on only a few episodes of this show, and people spot me in public now all the time. They say, 'Hey, aren't you on 'Nashville'?' Most locals seem to really appreciate how authentic the show is.
I want to get a handle on the music. There's only so much you can do alone. I want everyone else there. I can't wait until we feel we've got it down and we can really figure out what it's all about! I can't wait to meet Harvey Keitel, too! I'm so used to working with musical theatre people... I'm really curious how he works. He's the only one that doesn't sing in the show - he acts and weaves himself through the show as the ring-master. I hope I learn something from him.
I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.
'Baskets' isn't a CBS show. Nothing against that, but this is an off-kilter show on cable that the channel lets you do interesting things. Look, if it works, it works. And if it doesn't, it's just a miniseries.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
We work hard on the show. We really believe in the show. It's an enormous privilege to work on a show that has the power to touch people's lives in such a positive way. The fan mail and the e-mail certainly reflect that.
Every so often, it's time to make a change with a showrunner. You evaluate the creative and how the show is run and how the writing staff works, and sometimes you want to freshen the show. We just decided that it was time to do that on Community, and no disrespect to anyone.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
I always tell people if you want to do something, go to a great comedy show. And that's what I try to do: give people a really good comedy show.
People say they make movies to show what 'really happens.' But they only show what they choose to show.
You can't just show the pretty parts' when it comes to relationships. That's not how the world works, that's not how love works.
'Power' is not a black show. It's not a white show. It's a New York show.
I try to please people, to give them a good time, but I refuse to make my act conform to traditional show-biz standards of entertainment. There's a little voice that says, 'Oh, no, you can't do that, that's breaking all the rules.' That's the voice of show business. Then this other little voice says, 'Try it.' And most of the time, when the voice comes on and says, 'No,' that's the time it works.
Show me who your friends are and I'll show you who you are. It works for me. Stay positive and good things happen.
Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works.
For me, a good show is not a perfect show; it's just one where you connected. It's a show where the fans got to know you, and they realize that you're human, but they also think you're a star and that you're talented and all that good stuff.
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