A Quote by Robert Cazimero
Hula is the art of Hawaiian dance, which expresses all we see, smell, taste, touch, feel, and experience. It is joy, sorrow, courage, and fear.
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Joy is hidden in sorrow and sorrow in joy. If we try to avoid sorrow at all costs, we may never taste joy, and if we are suspicious of ecstasy, agony can never reach us either. Joy and sorrow are the parents of our spiritual growth.
Organismic awareness is awareness of the Present only - you can't taste the past, smell the past, see the past, touch the past, or hear the past. Neither can you taste, smell, see, touch or hear the future. In other words, organismic consciousness is properly timeless, and being timeless, it is essentially spaceless.
It's the centuries, Scarlett darling. All the life lived there, all the joy and all the sorrow, all the feasts and battles, they're in the air around and the land beneath you. It's time, years beyond our counting weighing without weight on the earth. You cannot see it or smell it or hear it or touch it, but you feel it brushing your skin and speaking without sound. Time. And mystery.
In my experience, God rarely makes our fear disappear. Instead, He asks us to be strong and take courage. What is courage? As Ordinary discovered, courage is not the absence of fear; rather, it's choosing to act in spite of the fear. You could say that without fear, you can't have genuine courage.
If you can see it, hear it, feel it, taste it, touch it, or smell it, you can be present with it. It is of the present moment, and so it brings to you the opportunity to be present with it.
Today no matter where I'm going, no matter what I'm doing, no matter who I'm doing it with, it is my dominant intent to look for and find things that feel good when I see them, when I hear them, when I smell them, when I taste them, when I touch them. It is my dominant intent to solicit from experience and exaggerate and talk about and revel in the best of what I see around me here and now.
When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.
Joy is at its keenest when contrasted with sorrow, courage at its height when it follows fear, faith at its noblest when it grows from doubt.
The empathic understanding of the experience of other human beings is as basic an endowment of man as his vision, hearing, touch, taste and smell
Do the small things of life with a relaxed awareness. When you are eating, eat totally - chew totally, taste totally, smell totally. Touch your bread, feel the texture. Smell the bread, smell the flavor. Chew it, let it dissolve into your being.
Sorrow is so woven through us, so much a part of our souls, or at least any understanding of our souls that we are able to attain, that every experience is dyed with its color. This is why, even in moments of joy, part of that joy is the seams of ore that are our sorrow. They burn darkly and beautifully in the midst of joy, and they make joy the complete experience that it is. But they still burn.
Can I see another's woe, And not be in sorrow too? Can I see another's grief, And not seek for kind relief? Can I see a falling tear, And not feel my sorrow's share? Can a father see his child Weep, nor be with sorrow filled? Can a mother sit and hear An infant groan, an infant fear? No, no! never can it be! Never, never can it be!
Consequently, the sensuous aspect of art is related only to the two theoretical sensesof sight and hearing, while smell, taste, and touch remain excluded.
I think that style, taste, and choices in general are forged by everything that surrounds you - everything you see, taste, touch, smell and hear. So of course, my family has influenced me as a person and in my own style, but so have all the experiences that I went through as an individual.
I learned the hula, so now I know how to shake my booty Hawaiian style.
Maybe this is a utopian view of art but I do believe that art can function as a vehicle, that it isn't just a cultural pursuit, something that happens in art galleries. Unless art is linked to experience and the fear and joy of that, it becomes mere icing on the cake.
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