A Quote by Robert Charles Wilson
The conversation was mesmerizing, not for its content but for the cadences of the talk, the rhythm we fell into when we were alone, now as before. Every conversation between friends or lovers creates its own easy or awkward rhythms, hidden talk that runs like a subterranean river under even the most banal exchange.
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The best meeting I ever went to was a meeting in France where the talk slots were 60 minutes long, but you were told to prepare a five-minute talk. It was absolutely great because the entire talk was a conversation between the speaker and the audience.
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
No, you have to talk first. You wanted to talk. It means you say something and I respond and you talk back again. It's one of the human race's most shining achievements. It's called a conversation.
Content isn't king. If I sent you to a desert island and gave you the choice of taking your friends or your movies, you'd choose your friends -- if you chose the movies, we'd call you a sociopath. Conversation is king. Content is just something to talk about.
In private conversation between intimate friends, the wisest men very often talk like the weakest : for indeed the talking with a friend is nothing else but thinking aloud.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
Alone-sex didn't count. It's like the difference between thinking to yourself or having a good conversation with someone--the pleasure is in the exchange.
I talk about Africa and its meaning, being the birthplace of man and all that great history that's been erased and even hidden. I think it's my duty to be proud and to bring about the conversation that allows us to talk about the great history of my people.
Were you to converse with a king, you ought to be as easy and unembarrassed as with your own valet-de chambre; but yet every look,word, and action should imply the utmost respect.... You must wait till you are spoken to; you must receive, not give, the subject of conversation, and you must even take care that the given subject of such conversation do not lead you into any impropriety.
The essence of conversation is not which media format we choose to talk to each other with, so we don't differentiate between snaps and chats. It's just someone wanting to talk to you.
When I talk football with my friends, I don't talk about Tom Brady's hair. I talk about how he handles the blitz, or how he runs his offense. I talk as a fan. I don't want pink jerseys, and I don't want dumbed-down content. I want to be treated as a real fan - because I am proud to be one.
Conversation is king. Content is just something to talk about.
Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
We can't literally talk with everybody else on the planet or even with representatives of every group. But we can be in favor of the respectful exchange of ideas in ways that don't presuppose that all the right answers are on our own side. Still, we should all have moral bottom lines. Once genocide or torture begins the priority shifts from understanding to stopping it. One hope I have for the global conversation as instantiated in human rights treaties is that we are slowly coming to consensus on certain moral baselines.
There's a certain kind of conversation you have from time to time at parties in New York about a new book. The word "banal" sometimes rears its by-now banal head; you say "underedited," I say "derivative." The conversation goes around and around various literary criticisms, and by the time it moves on one thing is clear: No one read the book; we just read the reviews.
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