A Quote by Robert Christgau

My personal experience has been that in my free bohemian subculture, I'm not unique. — © Robert Christgau
My personal experience has been that in my free bohemian subculture, I'm not unique.
The subculture of hot sauce is so fascinating and unique.
Chess is my profession. I am my own boss; I am free. I like literature and music, classical especially. I am in fact quite normal; I have a Bohemian profession without being myself a Bohemian. I am neither a conformist nor a great revolutionary.
There's a lot about New York that is unique, and there's always a culture and a subculture going on everywhere.
I think everyone's experience with a terminal disease is so deeply personal and unique to the person, the context in which they're living and the relationships that they have.
My personal experience has felt unique in that I'm juggling the already-intensive demands of network coverage of the White House alongside my daily MSNBC show.
I am inspired by the appearance of a bohemian of the new millennium. I thought it was necessary to update the figure of the bohemian, but not in the traditional way.
I would describe my aesthetic as definitely personal and harmonious with an eclectic yet bohemian sensibility.
While films are a very visual and emotional artistic medium, video games take it one step further into the realm of a unique personal experience.
President's personal staff has a unique role. They're his intimate personal advisers, and the tradition and the precedent has been, even when I was national security adviser, that people in that position do not testify before the Congress. They talk to the Congress. They have meetings with the Congress.
I didn't know until later, but my uncle was quite a famous bohemian in Glasgow, and he played guitar. My father was a kind of a poetic bohemian, and he read me poetry.
When you're dying, you're liberated to do what you want to do. You give yourself permission. I think everyone's experience with a terminal disease is so deeply personal and unique to the person, the context in which they're living and the relationships that they have.
In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
I've been able to sell a number of pilots. Most have been based on my personal experience, so basically, my pitches have been like 'Sit-'n-Spin' pieces.
Ninety percent of my mentors have been male, most of them with very little in common with me on a personal level - from life experience, work experience, backgrounds, etc.
From start to finish, my experience with 'Moonlight' has been the most unique thing.
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