A Quote by Robert Christgau

When I grew up, there was a monoculture. Everybody listened to the same music on the radio. I miss monoculture. I think it's good for people to have a shared experience. — © Robert Christgau
When I grew up, there was a monoculture. Everybody listened to the same music on the radio. I miss monoculture. I think it's good for people to have a shared experience.
I don't want to live in a monoculture of any kind. I don't want to live in a wealthy monoculture, a black monoculture. I don't want to live in an elitist, progressive monoculture.
A single, one-dimensional way of thinking has created a monoculture of the mind. And the monoculture of the mind has become a self-fulfilling prophecy. This is the root of why we have pitted equity against ecology and sustainability against justice.
It's just like heirloom tomatoes; this is heirloom music. We used to have all kinds of diversity in our poultry, in our vegetables, in our fruits, and slowly but surely the monoculture beast comes in. I'm saying that's not a good idea. And if it means that I gotta do it on my own, then I do it on my own.
A monoculture is not only Hollywood, but Americans trying to export democracy.
Most of Britain is a monoculture. You think London is Britain, it isn't.
There's no choice left in America anymore. Anything that's authentic and genuine, anything that grew out of any sense of tradition, is wiped out. We're left with this bland monoculture that's swept over the whole country.
I grew up in a family where, when we listened to music everybody would dance, so for me that's a very natural thing to do.
Quite frankly, I've always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.
I think music is better listened to with other people. Music is better shared. It depends what situation you're in - if it's a song by Tom Waits, it can be nice to be on your own, but if it's something slightly more upbeat, it's amazing to be around people.
[My muse] is, in fact, a woman of the world, and precisely because of this, hopes that a diversity of cultures will endure, and that one bland monoculture does not swamp everything.
I grew up listening to Puerto Rican music like everybody else. But when I listened to Charlie Parker for the first time, I said, 'How does this guy play so fast?'
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
I miss America because it's where I grew up. I miss the size of the roads, the size of cars, the malls, the choices of radio.
Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
I was really only around country music on the radio, and I think because I grew up so close to Atlanta, and R&B was such a big part of that culture, by proximity I think a lot of that music influenced me without knowing it.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
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