A Quote by Robert Christgau
Even when I was working at The Village Voice, I only put in about 20 hours at the office.
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We spend so many hours a day - even if we're not physically in the office - working, thinking about work, and planning and setting up and organizing with work, even with our families.
Damn, my first cut that I showed to distributors was probably about two hours and 20 minutes, even though my contract said two hours. So, I had to lose 20 minutes. It's incredible that it just keeps happening.
As long as I can stay creative and used my mind, it can be 20 hours a day. I sleep four hours, so I've got 20 hours.
What if I told you insane was working fifty hours a week in some office for fifty years at the end of which they tell you to p*ss off; ending up in some retirement village hoping to die before suffering the indignity of trying to make it to the toilet on time? Wouldn't you consider that to be insane?
What is left that only the family can do? According to the new economy - nothing. The leading view today is 'It Takes a Village,' that even love can be outsourced to teachers, coaches, clubs and mentors. The truth is that it does take a village, a community, but a community of families working, playing, cooperating and facing obstacles together, not a community of government institutions.
Even if I am working 12 hours a day, I want to be working, not sitting in my room for eight hours waiting for my shot.
You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
Imagine working 20% smarter instead of 20% longer...Work-life balance and startup success at any stage aren't mutually exclusive. There are enough hours in the day to be effective and present.
A work-only zone does wonders for your productivity. So, I prefer working at the office now. I spend 8 focused hours there, then I go home to be present with my family.
You can only train three or four hours a day, so what do you do with the other 20 hours?
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
In 2010, I was working in a bank in Lagos. It was a crazy job with long working hours. I had to leave for the office by 5:30 A.M., and sometimes I wouldn't be back until midnight.
When you work extra, you should be paid extra. That's what the Fair Labor Standards Act said. And I've met so many people who are working 60-70 hours a week, and they are effectively working 20 hours for free because they are making a little bit above the minimum wage, because the 2004 regulation enables employers to do that. That's not fair.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
I worked 120 hours a week for eight years. That's 20 to 22 hours a day every day and one week I only got 15 hours sleep.
My art teacher in junior high was a very out gay man and a mentor to me. He would tell us about Greenwich Village and show us the 'Village Voice' and describe his life, but it was all sort of subversive and below the radar.
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