A Quote by Robert Christgau

If rock criticism is to be a political calling, which has always been my angle, that's obviously not because it's a fountainhead of protest songs. — © Robert Christgau
If rock criticism is to be a political calling, which has always been my angle, that's obviously not because it's a fountainhead of protest songs.
Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
Obviously, I have been a pro-choice candidate for my entire political career, and obviously there is controversy always surrounding this issue.
Criticism is the fountainhead of control.
My greatest dream is to make a film on 'The Fountainhead,' which I have been restraining from doing because it is so much in the mind, and I am yet to be able to decode that.
I know I express myself best singing love songs, and Jim Steinman gave me my rock style, which I have always wanted. I can express myself best putting a lot of emotion into singing rock songs.
Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.
I took inspiration from 'Fountainhead,' the way in which Ayn Rand conveyed her political philosophy through an immensely popular novel.
The protest songs of the 1960s and 70s managed to blend political and societal views with music from the heart.
For all the criticism I've been showered with - people calling me a betrayer, a backstabber - frankly, the only criticism I have of Manmohan Singh is that he weakened the office of the prime minister, and he brought down the dignity of the office.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
All my friends are rock critics, so we talk about rock criticism a lot. Because of that, in order to be part of the conversation, you have to have an awareness of what the discussion is.
You gotta deal with a lot of people, the naysayers... but I've always been the guy who kinda just smiles and laughs at it. I use it as constructive criticism to be honest. Whether they're intentionally trying to be kind of spiteful or not, it's constructive criticism because you can't say there's always truth to it but there's definitely something.
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