A Quote by Robert Christgau
There's a musicologist named Peter van der Merwe whose theory is that the blues generates tune families, and that their similarity to each other is in fact part of the pleasure you take in them - rather than the differentiation in which Jerome Kern and George Gershwin indulged to great effect.
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I'm a fan of Jerome Kern and Gershwin. That's my kind of music.
My father's Alfred Newman - born in 1900, child prodigy at the piano, ended up in pit orchestras in the teens. I think he's one of the youngest conductors to conduct Broadway and worked with George Gershwin and Jerome Kern and Cole Porter - went out with Irvin Berlin in 1930 to Hollywood and never left.
Basketball has so much showboating you'd think it was invented by Jerome Kern.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
When we meet a fact which contradicts a prevailing theory, we must accept the fact and abandon the theory, even when the theory is supported by great names and generally accepted.
Order in a house ought to be like the machinery in opera, whose effect produces great pleasure, but whose ends must be hid.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
Theory is worth but little, unless it can explain its own phenomena, and it must effect this without contradicting itself; therefore, the facts are sometimes assimilated to the theory, rather than the theory to the facts.
So we and our elaborately evolving computers may meet each other halfway. Someday a human being, named perhaps Fred White, may shoot a robot named Pete Something-or-other, which has come out of a General Electric factory, and to his surprise see it weep and bleed. And the dying robot may shoot back and, to its surprise, see a wisp of gray smoke arise from the electric pump that it supposed was Mr. White's beating heart. It would be rather a great moment of truth for both of them.
The curse which lies upon marriage is that too often the individuals are joined in their weakness rather than in their strength - each asking from the other instead of finding pleasure in giving.
Ours is a nation of laws: of citizens who live under them and for the citizens who enforce them. So, to a community in Ferguson that is rightly hurting and looking for answers, let me call once again for us to seek some understanding rather than simply holler at each other. Let's seek to heal rather than to wound each other.
To each of my Nephews, William Augustine Washington, George Lewis, George Steptoe Washington, Bushrod Washington, and Samuel Washington, I give one of my swords or Cutteaux of which I may be Possesed; and they are to chuse in the order they are named. These Swords are accompanied with an injuction not to unsheath them for the purpose of shedding blood, except it be for self defense, or in the defense of their Country and its rights; and in the latter case, to keep them unsheathed, and prefer falling with them in their hands, to the relenquishment thereof.
Lonnie Donegan and the folk movement were responsible for a lot of the spread of the blues in England. The group Them with Van Morrison was a big influence on me, too, as were The Stones; The Yardbirds, John Mayall, and the other British blues pioneers.
I grant this mode of secluding boys from the intercourse of private families has a tendency to make them scholars, but our business is to make them men, citizens, and Christians. The vices of young people are generally learned from each other. The vices of adults seldom infect them. By separating them from each other, therefore, in their hours of relaxation from study, we secure their morals from a principal source of corruption, while we improve their manners by subjecting them to those restraints which the difference of age and sex naturally produce in private families.
The similarity between Van Gogh, Haiku poetry, and good photography is the concern for mortality. That things are very fleeting, that there are people who are more sensitive to death than others. The threat of time is of great concern to them. And the camera is a very appropriate instrument for many.
Even in an advanced stage of civilization, there is always a tendency to prefer those parts of literature which favor ancient prejudices, rather than those which oppose them; and in cases where this tendency is very strong, the only effect of great learning will be to supply the materials which may corroborate old errors and confirm old superstitions. In our time such instances are not uncommon; and we frequently meet with men whose erudition ministers to their ignorance, and who, the more they read the less they know.
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