A Quote by Robert Coppola Schwartzman

I've always wanted to do a project with space imagery because I've always loved these amazing sci-fi electro book covers. I've always loved science fiction. I feel like space imagery has no boundaries.
I've always loved fantasy. I've always loved sci-fi. It's not like I can list off my favorite sci-fi shows or movies, but I just love being taken into a different world. I'm a huge fan of Steven Spielberg. I'm a huge fan of George Lucas. I've always loved it.
Growing up in the '60s and early '70s, with the space flight and the Apollo program, I always loved planes. I always loved rockets and I always loved space travel.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
Sci-fi uses the images that sf - starting with H.G. Wells - made familiar: space travel, aliens, galactic wars and federations, time machines, et cetera, taking them literally, not caring if they are possible or even plausible. It has no interest in or relation to real science or technology. It's fantasy in space suits. Spectacle. Wizards with lasers. Kids with ray guns. I've written both, but I have to say I respect science fiction enough that I wince when people call it sci-fi.
I've loved science fiction my whole life. But I've never made a science fiction movie. And it's [World Of Tomorrow] sort of a parody of science fiction at the same time. It's all of the things I find interesting in sci-fi amplified.
I was always like, 'No, I don't like sci-fi,' and then I started watching it and thought, I didn't know that's what it was. I think I'd somehow got it confused with action and space-travel action - that sci-fi could only be like 'Star Wars.'
I do like sci-fi. When I was a kid, I was always sort of locked into sci-fi stories. So, sci-fi has always had a special place in my heart.
I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
Being a sci-fi geek, it was just lovely to be on a show where I pretend I'm in outer space. That's always been my dream: to pretend to be out in space or actually be out in space.
The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
I've always loved sci-fi and fantasy.
I'm not really into sci-fi movies, but I'm into the science of space a lot. I love astronomy and thinking about the nothingness of the everythingness of space.
I love, and I've always loved, contained sci-fi films that utilize practical effects. I feel like the human eye can tell when something is actually in the frame and when it was inserted digitally later.
When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.
I like very human stories that venture into sci-fi or the supernatural or areas that I think occupy a lot of space in our collective memory for the films that we loved as children.
I had a book that was given to me as a kid that was called 'Faeries.' It was this dark, sinister book with pictures that used to scare me because they were these creepy little creatures. But, I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff.
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