A Quote by Robert Crais
Writing a book is a long and difficult process for me. I'm a slow writer, so I spend the year with Elvis Cole and Joe Pike in my head. I was thinking about this the other day. I wrote the first book in 1987. Literally every day since that time, Elvis and Joe have been in my head. They're always there. I started these guys because I like them.
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Stalking the Angel [Joe]"I could off anybody in this place five times over." [Elvis]"Could you off someone and get away with you here?" [Joe]Head shake. "I'm too good even for me.
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
The friendship I had with Elvis began to take shape in 1968 when I was recording in Memphis. I'd record during the day, and Elvis would send one of his guys over to bring me to Graceland at night. Everything you've heard about Graceland during Elvis's glory days is true and then some.
Larry Geller’s Leaves of Elvis’ Garden is by far the best book I have ever read about Elvis. It is emotional, revealing and spiritual, and offers the most amazing insight into the king. I highly recommend this dynamic book.
What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book, I was not thinking about publishing, and yet at the same time I was casting it in my head. Because when I read books, I see them very visually.
Elvis Presley is all there is. There just ain't no more. Everything starts and ends with Elvis. He wrote the book. He is everything to do and not to do in the music business.
There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
At first, I spend about four hours a day writing. Toward the end of a book, I spend up to 16 hours a day on it, because all I want to do is make it good and get it done.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I used to think that if I was ever so lucky as to get a book deal that I would write all the time. All day, every day. I'd write three books a year. The truth, though, is that writing all day isn't really feasible. I could do it, but I'd be folding in on a lot of other aspects of my life, things I care about. And I wouldn't be happy.
That Elvis, man, he is all there is. There ain't no more. Everything starts and ends with him. He wrote the book. But for him, I'd be selling encyclopedias right now. There have been a lotta tough guys. There have been pretenders. And there have been contenders. But there is only one king.
My first album after 'American Idol' I did with Desmond - we paid for it together, and we literally were together working on it every day for a year and half, just writing. We wrote in New York, Nashville, L.A., Sweden - we wrote with some other amazing songwriters like Diane Warren, too.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
Don't be afraid to fail. I fail every day. I failed thousands of times writing The Book Thief, and that book now means everything to me. I had many doubts and fears about that book, but some of what I feel are the best ideas in it came to me when I was working away for apparently no result.
Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
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