A Quote by Robert Creeley

What a great thing! To be a writer! Words are something you can carry in your head. You can really 'travel light.' — © Robert Creeley
What a great thing! To be a writer! Words are something you can carry in your head. You can really 'travel light.'
I travel light; as light, that is, as a man can travel who will still carry his body around because of its sentimental value.
I travel so much for work that when I fly, I prefer to travel light and bring a carry-on bag that I don't need to check.
I think the hardest person to love is yourself I mean- You carry your flaws like burdens And you feel them on your skin The words you shouldn't have said Still echo in your head So you keep quiet Your mistakes, like monsters They haunt you And you put them to sleep every night The words you should've said Still echo in your head I bet you'd give yourself a chance If you were someone else instead
I've been able to see the world many times over. The thing I've learned is less is more. I travel as light as possible. I try to carry on.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
Do not carry with you your mistakes. Do not carry your cares. Travel on alone. Like an elephant in the forest.
I usually travel with a posse. I roll deep. I travel like a rapper, but without the artillery. We don't carry guns, we carry cookies.
It's crazy how your mind works because you can receive hundreds and thousands of all these love posts and all this good affirmation on Instagram or Twitter. And then that one person writes one thing that dims your light but that's the thing you can't let it dim your light, because what I've realized - it's really not your problem, it's theirs.
I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
We've been taught to believe that actions speak louder than words. But I think words speak pretty loud all of our lives; we carry these words in our head.
Your thoughts should agree with your words, and the words should agree with your actions. In this world people think one thing, say another thing, and do something else. This is horrible. This is crookedness.
On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.
Keep a good head and always carry a light bulb.
To make something really great and different and interesting means taking risks and following these ideas in your head.
The important thing isn't the house. It's the ability to make it. You carry that in your brains and in your hands, wherever you go... It's one thing to carry your life wherever you go. Another thing to always go looking for it somewhere else.
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