There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement.
I really love doing nothing. I really love just being at home and taking a couple of days, you know, doing nothing. You know what I mean? Just getting up, being around the house, going outside the back yard, coming back in; I really like to do nothing because I travel a lot. There's a lot of travelling. There's a lot of on the phone all the time. There's a lot of looking at papers and reading things and so you don't want to read magazines and you don't want to do anything; you don't want to read books, you just want to just kind of shut down a little bit.
If you're going to make a statement, I think you should write it in prose and make a statement. If you have characters who are mouthpieces for a point of view, then you have to be very clever about disguising it.
Editorials are editorials. They a supposed to have an opinion, even a very strong one.
In private conversation between intimate friends, the wisest men very often talk like the weakest : for indeed the talking with a friend is nothing else but thinking aloud.
Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.
I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
I wouldn't express anything without being very thoughtful.
The sexiest thing in the entire world is being really smart. And being thoughtful and being generous. Everything else is crap. I promise you. It's just crap that people try to sell to you to make you feel like less. So don't buy it. Be smart. Be thoughtful and be generous.
I don't like anything unsigned in a newspaper that purports to be the opinion of some group if we don't know who the group is. It's laughable to say that The Miami Herald's editorials or any newspaper's editorials represent any views other than those of the people writing them, so why don't we tell everybody who they are?
There's really a lot of lessons that I've learned from being Miss Universe. I don't even know where to begin. Just being able to travel a lot and meet people from different walks of life. I don't think I've experienced anything like it or would experience anything like it.
I will make a general statement that we have not had anything like the policy of holding people in high office responsible for their acts that I think we should.
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
I don't run away from the idea of philosophy as seductive. I want the sentences to be prose but intense prose, to show that, like life, thinking is not linear.
I think I was raised by a very humble mother, who, if anything, is probably over skeptical. She has that sense of everything being a bonus: like, you have your lot, and anything else is on top. She's quietly proud, and quietly humble.
One of the great things about being commander in chief is getting to know our men and women in uniform in a very intimate way, whether it's visiting Walter Reed and seeing our wounded soldiers, or being on a base and talking to families, or interacting with them on missions. They're the best of the best: always thinking about the mission, not thinking about credit, not thinking about who's up front.
I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.