A Quote by Robert Crumb
Yeah, I was a child of American popular culture.
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I'm a third-culture child. It's an interesting concept. Having an American father, a South American mother, born in England, grew up in Hong Kong, went to school in Europe - it makes me a third-culture child, which means you take on the culture of the place where you live. So I'm very adaptable.
I was a child of American popular culture. All I did as a kid was what I could get at the local supermarket or the dime store. Nothing else was seen. Plus what was on television, or the movie theatre. That was it.
Well, do I think watching 35 hours of TV a week is a terrific thing to do? Not particularly. But do I think you're shutting yourself off from a lot of American culture if you are so completely isolated from what goes on, on popular TV? Yeah, you are!
With what's happened in the world the last three years, it's easier to see why it's become popular again to diminish and revile Arabs and Muslims in American popular culture.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
As a child of West Texas, I identify with Hispanic culture every bit as much as I do North American culture.
Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
My working hypothesis is that stupidity in popular culture is a constant. Popular culture cannot get more stupid.
I think, what I want to say is that yes, my ideas have travelled into popular culture they also emerged from popular culture in a way, or from the general public as you put it. But not as a program.
Eight Hours For What We Will is a major contribution to modern American working-class history and to the history of a changing American popular and mass culture.
The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance.
American popular culture has long been marked by an absence of empathy for American Indians. Westerns doubled as a campaign against so-called savages in a way that desensitized us to the savages we'd become.
It is fashionable to scoff at Americans, but they routinely produce most of the important and ground-breaking entertainment in the world. 'Popular culture' is still culture, Shakespeare was once as popular as any of today's icons with the common people.
Explain to me what Italian-American culture is. We've been here 100 years. Isn't Italian-American culture American culture? That's because we're so diverse, in terms of intermarriage.
The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.
I suppose I do the Japanese because I just don't know China. Chinese popular culture has never evoked that instant of, "Whoah! What's that?" that I have with Japanese popular culture.
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