A Quote by Robert D. Kaplan
The first thing to recognize not just about Afghanistan but about any poor undeveloped country is that as big as it looks on the map, it's much bigger when you're there.
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The first thing we should acknowledge is that poverty is hugely expensive. It varies from country to country, but most of the time it's around 3, 4 or 5% of GDP. If you look at what it would cost just to top up the income of all the poor people in a country, it would cost about 1% of GDP.
The Hitch Hiker's Guide to the Galaxy offers this definition of the word "Infinite". Infinite: Bigger than the biggest thing ever and then some. Much bigger than that in fact, really amazingly immense, a totally stunning size, "wow, that's big", time. Infinity is just so big that by comparison, bigness itself looks really titchy. Gigantic multiplied by colossal multiplied by staggeringly huge is the sort of concept we're trying to get across here.
That’s one of the nice things about writing, or any art; if the thing’s real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection—none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut.
Go look at what any liberal says about anybody they disagree with, and especially conservatives, the first thing you're gonna hear them talk about is hate, too much hate. Then you'll hear racist, and then bigoted, and automatically homophobic, intolerant. Just go down the list. And they all believe it about any conservative alive. And, in many of their cases, about any Republican alive.
I think a good story can do as much as a novel; not the exact same thing, of course, but just as much artistically. They're different beasts, but to tackle an expansive country like the United States, you're either going to write a big novel, or go in to various points on the map and write stories or poems.
The Iraq War has thrown such a heavy shadow on Afghanistan that you can't hardly get any news about that now. I went to Afghanistan this year and spent more time there than I did in Iraq ... just 'cause they were forgotten about, and I wanted them to know that I appreciated it.
And it's not just black people. That's the other thing about this issue, it's conflated with just black and white and it's not that at all. It's diversity, it's something that looks more like the landscape of the country. And it's not about then we get the statues we deserve, it's not that. It's that everyone should be able to participate in this silly contest, which is how I feel about it.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
We do not recognize the right of the Palestinian Arabs to rule the country, since Palestine is still undeveloped and awaits its builders.
In all the debate about Afghanistan, we don't hear much about our obligation to the wretched lives of Afghan women. They are being treated as collateral damage as the big boys discuss geopolitical goals.
I do think the smaller-scale studio works have that incredible love of data crunching, whereas I would say the large-scale earthworks tend to be much more stripped-down. With the mappings, as connected as they are to a much more analytical idea, what's a map? And can I make a map about time? I think the first time was Hurricane Sandy, the flood plane; a moment in time, but indelibly marked on any of us who were in the city. Mapping time is something that I'm really interested in.
Afghanistan is a country in need. Afghanistan needs to protect itself in the region; Afghanistan needs to secure itself within the country. Afghanistan needs to develop its forces, and Afghanistan needs to provide stability to the people.
My concern was first, for the black people of Mississippi, then I became concerned for black people nationwide, now my concern is for black people all over the world. I began to realize that it's not as much about race as we think it is. It's about the rich vs. the poor. I feel as if the different races are pitted against one another so we won't see the bigger (financial disparity) problem.
Well, the first thing I had to do was to read a lot. First of all, about education... and looking at education from the Middle Ages right through to the 20th Century. The second major area was country life in the 19th Century, which I don't know much about these days.
My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
The good thing about having a kid is you don't think about that as much. Like when I turned 30, for instance, that was much more momentous. Forty is particularly great for a woman. It's a big thing.
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