A Quote by Robert Davi
In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.
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My parents, the effect that [Frank Sinatra] had on the Italian community, in terms of all our friends at the house were multicultural. We weren't just Italians. My dad's close friend was a black gentleman - this was back in the early 50s when Tony Bennett was reprimanded for having lunch, when he was in the military, with a black man.
[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.
We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
Pop was initially ignored as a moneymaker by the recording industry. In the seventies they were still relying on Frank Sinatra and Tony Bennett for their big hits. You know, most of the budget for the record companies in those days went to the classical department - and those were big budget albums.
Frank Sinatra discovered me at a nightclub called P.J.'s in Hollywood. It was 1962. He used to come in there a lot with all his big star friends. I was so nervous to see him. I've only had one idol in my life, and that was Frank Sinatra.
I grew up listening to legends such as Sinatra, Sammy Davis Jr., and Tony Bennett.
One thing is certain: for many of those who came back from WWII, the music of Frank Sinatra was no consolation for their losses. Some had lost friends. Some had lost wives and lovers. All had lost portions of their youth. More important to the Sinatra career the girls started marrying the men who came home. Bobby socks vanished from many closets. The girls who wore them had no need anymore for imaginary lovers; they had husbands. Nothing is more embarrassing to grownups than the passions of adolescence, and for many, Frank Sinatra was the passion.
Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.
If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.
As far as entertainers, I know I'll sound like a cliché but they don't make 'em, like they use to. Barbra Streisand is one of them, also Frank Sinatra and Tony Bennett. The first theater voice I heard on a record was Ethel Merman and again, they just don't make them like that anymore.
At the first meeting I had with the (Italian) bishops in May 2013, one of the three things I said was: with the Italian government you're on your own. Because the pope is for everybody and he can't insert himself in the specific internal politics of a country. This is not the role of the pope, right?
I always admired Frank Sinatra. He had ups and downs, but he didn't give up his style. He had what might have been a tough life or character.
I was athletic growing up and that was, of course, a big part of my household, but it wasn't something that I was necessarily passionate about.
My dad sent Frank Sinatra a dollar bill to autograph, and when it came back, signed, he had it framed: it was always up on the wall in whatever flat we were in.
There is a man up in Philadelphia, I've known him for 50 years now, his name is Sid Mark. He does a radio program featuring Frank Sinatra music exclusively - one show for decades, "Friday with Frank," "Saturday with Sinatra," "Sunday with Sinatra," for decades. This is something that is really quite important.
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