A Quote by Robert Davi
The [Frank] Sinatra interpretation of the music, as opposed to some other music that you were listening to - where you felt like they were singing at you - you felt Sinatra was singing to you. It's a very intimate art form, and that's what I responded to - the intimacy of his performance.
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There is a man up in Philadelphia, I've known him for 50 years now, his name is Sid Mark. He does a radio program featuring Frank Sinatra music exclusively - one show for decades, "Friday with Frank," "Saturday with Sinatra," "Sunday with Sinatra," for decades. This is something that is really quite important.
I knew Sinatra for 38 years. He was like my father. Frank Sinatra was my 'dad.' He treated me like his son. He gave me the best advice about singing, about this and that... He was a very sensitive man, very astute, one of the sharpest men that I ever met in my life.
I'd come home from school alone with those teenage blues and I'd put on Frank Sinatra's It was a very good year. Here was this mature man singing about the cycle of his life, and as a kid I felt the emotions of it already. It has since been a touchstone for me whenever I want to experiment musically.
When I was a kid in the late '60s and early '70s, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra, and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not.
The idea of the duets albums was the people who joined Frank Sinatra in each song were themselves successful record artists, I never was. I felt a certain apprehension at the time that some people thought my being there was pure nepotism. I felt kind of out of place about that.
When I was 3 or 4, I seemed to be bursting with music. They played Ella Fitzgerald, Count Basie, Frank Sinatra in the house, so I learned my vocabulary from song lyrics - I was literally singing before I was talking.
Frank Sinatra said this great thing, that singing isn't about singing in tune, or great technical singing. It's about making people believe in the story you're telling.
For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.
I met the [Frank] Sinatra family for a [performance] I did for his hundredth birthday and one of the first things Sinatra's daughters said to me was, "I'm so glad you make your own beautiful arrangements now."
What makes Gucci Mane Gucci Mane is like what made Frank Sinatra Frank Sinatra - it's just him. He's trap's Frank Sinatra.
I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.
I learned by listening to other people sing and doing impressions of them. And there are things no one can ever teach you, like phrasing. By listening to Sinatra, for instance - you felt that everything he sang had happened in his life.
It's OK if people say I sound like Frank Sinatra. I just don't want them to think I am Frank Sinatra.
We were worried at first that our music and message wouldn't get across because we were singing in Japanese. But as we continued doing world tours, we realized and felt that music surpasses such things as language barriers, countries and race.
One thing is certain: for many of those who came back from WWII, the music of Frank Sinatra was no consolation for their losses. Some had lost friends. Some had lost wives and lovers. All had lost portions of their youth. More important to the Sinatra career the girls started marrying the men who came home. Bobby socks vanished from many closets. The girls who wore them had no need anymore for imaginary lovers; they had husbands. Nothing is more embarrassing to grownups than the passions of adolescence, and for many, Frank Sinatra was the passion.
Frank Sinatra discovered me at a nightclub called P.J.'s in Hollywood. It was 1962. He used to come in there a lot with all his big star friends. I was so nervous to see him. I've only had one idol in my life, and that was Frank Sinatra.
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