A Quote by Robert David Hall
I have a lot of musician friends. I worked in radio as a music director, and I know everybody hears about the George Straits and the Garth Brooks and the Kenny Chesneys and all that, but for every major star, there are thousands who didn't quite make it.
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Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
I think Kenny Chesney or Garth Brooks would be the coolest duet partners. I look up to them so much for their work ethics.
I was listening to Ministry and Garth Brooks and Charlie Pride and Wynton Marsalis, and then I would listen to Juvenile or Lil Wayne. It's just that I'm a big fan of music. I'm a student of music. And I just want to learn and keep enhancing my education about the music.
I've always been a huge fan of Garth Brooks, Alan Jackson, and George Strait. That's what I grew up on. But I also loved Usher and Justin Timberlake.
I didn't think I liked country music. Then I got into Garth Brooks.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Well, the good news is that there's quite a lot of cynicism about major labels within radio and the press. I think they have been largely disillusioned by the manner in which the record companies have developed music.
There are early videos of me at three years old with a tiny guitar trying to sing 'Friends in Low Places' by Garth Brooks.
My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
Kenny Burrell is a great musician and his music has helped to make me what I am today.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
The thing that sucks the most about it is that everybody steals music. You spend thousands and thousands of dollars to make a record and all of these scumbags are just stealing it.
Make no mistake, this music is for everyone. Jazz is not an exclusive, elite club. Go ahead, listen to your Snoop Doggy Dog, Pearl Jam, Garth Brooks, but add a little Ellington, Basie and Coltrane to your life as well.
I started rocking and rolling when Guns N' Roses came out. It wasn't until Garth Brooks came around that I really got back to country. He made it fun again. To me, in country music, the rigor mortis was setting in and it just wasn't fun anymore. Garth brought everyone back over to country and made it cool again.
We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.
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