A Quote by Robert De Niro
I didn't have a problem with rejection, because when you go into an audition, you're rejected already. There are hundreds of other actors. You're behind the eight ball when you go in there.
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Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
For every successful actor or actress, there are countless numbers who don't make it. The name of the game is rejection. You go to an audition and you're told you're too tall or you're too Irish or your nose is not quite right. You're rejected for your education, you're rejected for this or that and it's really tough.
At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
The primary way that we know about what lives in the ocean is we go out and drag nets behind ships. And I defy you to name any other branch of science that still depends on hundreds-of-year-old technology. The other primary way is we go down with submersibles and remote- operated vehicles. I've made hundreds of dives in submersibles.
That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.
I like to go see a ball game. I'll have seven, eight, nine - 10 beers, and the second inning will roll around, and I gotta go.
You must learn how to handle rejection. To succeed, you must learn how to cope with a little word 'no', learn how to strip that rejection of all its power. The best salesmen are those who are rejected most. They are the ones who can take any 'no' and use it as a prod to go onto the next 'yes'.
When I go to audition for voiceovers, I do dress as if I'm going to an on-camera audition because that's my way of showing that I do care and it means something to me.
I can go to my premiere at the Chinese Theatre, and everyone will know me, and everyone will cater to me. And then I'll go to an audition and get rejected left, right and centre. They don't watch my videos, and they don't really know who I am. It is like starting from scratch when it comes to traditional Hollywood.
The only truly safe thing you can do is to try over and over again. To go for it, to get rejected, to repeat, to strive, to wish. Without rejection there is no frontier, there is no passion, and there is no magic.
I think you can assume because our pool of Asian-Americans actresses or actors - men and women - is pretty small, that whatever project is out there I probably have been asked to audition or I probably chose to not go in it for various aspects.
The next time you feel rejection's sting, remember God's words to Samuel: "It is not you they have rejected, but they have rejected me." (1 Sam. 8:7)
I had no idea that, when you audition for television or movies, you go to a big building - like, an office building - and you walk in the room, and everybody, I assumed, was smarter than me and better than me, and there's actors you recognize. I once fainted at an audition.
In America everyone plays bang ball, eight ball, nine ball, that kind of stupid crap, but in Canada and Europe they play snooker which is a much more skillful game and I enjoy that. I play pool now with friends, if we go to a bar we will play, but I am nowhere near as good as I once was.
My Cop Stopper was a Pokémon ball that you push the button and then Tesla's coils go in and the chemical compound reactions go, so it's an electrical ball so once you throw it out the window usually, in my idea of robbing a bank, I'd go through an alley way, and what this Pokémon ball would do, is it hits the metal of the cop car .
I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.
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